Staatskapelle Dresden, Otmar Suitner's 'Die verkaufte Braut, JB 1:100, Act III: Tanz der Komödianten' came out on 1965. With this song being about 5 minutes long, at 4:43, "Die verkaufte Braut, JB 1:100, Act III: Tanz der Komödianten" by Staatskapelle Dresden, Otmar Suitner is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Smetana: Die verkaufte Braut (Highlights - Sung in German)". In this album, this song's track order is #11. Die verkaufte Braut, JB 1:100, Act III: Tanz der Komödianten is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Die verkaufte Braut, JB 1:100, Act III: Tanz der Komödianten by Staatskapelle Dresden, Otmar Suitner having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: I. Andante sostenuto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Minor | 2 | 6A | 94 BPM | ||
Io sono docile | Gioachino Rossini, Roberta Peters, Erich Leinsdorf, Metropolitan Opera Orchestra | F Major | 3 | 7B | 83 BPM | ||
Slavonic Dance No. 2 in E Minor, Op. 72 | London Philharmonic Orchestra | C Major | 3 | 8B | 97 BPM | ||
Violin Concerto in D Major, RV 228: I. Allegro non troppo ma vigoroso | Antonio Vivaldi, Marco Fornaciari, Accademia I Filarmonici, Alberto Martini | D Major | 2 | 10B | 123 BPM | ||
Symphony No. 9 in C Major, D. 944: III. Scherzo. Allegro vivace (2) | Franz Schubert, Staatskapelle Dresden, Herbert Blomstedt | C Major | 1 | 8B | 109 BPM | ||
Berlioz: Symphonie fantastique, H. 48: II. Un bal. Valse. Allegro non troppo | Hector Berlioz, Munich Philharmonic Orchestra, Sergiu Celibidache | A Major | 1 | 11B | 73 BPM | ||
Shostakovich: Suite for Jazz Orchestra No. 1, Op. 38a: I. Waltz | Dmitri Shostakovich, Philadelphia Orchestra, Mariss Jansons | E♭ Major | 0 | 5B | 81 BPM | ||
A Midsummer Night's Dream, Op. 61: Scherzo | Felix Mendelssohn, Philippe Herreweghe, Orchestre des Champs-Élysées | G Minor | 1 | 6A | 118 BPM | ||
Piano Concerto in E-Flat Major, Op. 31: III. Ausserst ruhig, versonnen, schwarmerisch | Hans Pfitzner, Tzimon Barto, Staatskapelle Dresden, Christian Thielemann | A♭ Minor | 0 | 1A | 64 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM |
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