"Le Carnaval des Animaux, R. 125: Le cygne" by Julian Lloyd Webber, English Chamber Orchestra, Nicholas Cleobury was released on June 27, 1994. The duration of Le Carnaval des Animaux, R. 125: Le cygne is about 3 minutes long, at 3:20. Based on our data, "Le Carnaval des Animaux, R. 125: Le cygne" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 20 in the song's album "The Julian Lloyd Webber Collection". In this album, this song's track order is #2. The popularity of Le Carnaval des Animaux, R. 125: Le cygne is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Le Carnaval des Animaux, R. 125: Le cygne by Julian Lloyd Webber, English Chamber Orchestra, Nicholas Cleobury having a BPM of 168 with a half-time of 84 BPM and a double-time of 336 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Children's Corner, L. 113 - arr. for Cello and Orchestra: Golliwog's Cakewalk | Claude Debussy, Julian Lloyd Webber, English Chamber Orchestra, Nicholas Cleobury | B♭ Minor | 2 | 3A | 70 BPM | ||
12 Etudes, Op. 10: No. 3 in E Major | Frédéric Chopin, Konstantin Lifschitz | E Major | 0 | 12B | 69 BPM | ||
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
Simple Symphony, Op. 4: III. Sentimental Saraband | Benjamin Britten, English Chamber Orchestra | G Minor | 1 | 6A | 82 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Fabrizio von Arx, Christian Benda | E♭ Major | 1 | 5B | 133 BPM | ||
Wiegenlied, Op. 49, No. 4 | Johannes Brahms, Marisa Robles | D Major | 0 | 10B | 116 BPM | ||
I. Vanitas vanitatum (from "Five Pieces in the Popular Style", Op. 102) | Robert Schumann, Yo-Yo Ma, Kathryn Stott | F Major | 1 | 7B | 114 BPM | ||
Orfeo ed Euridice Wq. 30 - Vienna Version (1762) / Act 2: Ballo (Dance of the Blessed Spirits) | Christoph Willibald Gluck, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | F Major | 1 | 7B | 79 BPM | ||
Cantilena from Sonata No.11 in D minor, Op.148 | Josef Rheinberger, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | F Major | 1 | 7B | 90 BPM | ||
Handel: Solomon, HWV 67, Act 3: Sinfonia. "The Arrival of the Queen of Sheba" | George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 5 | 6B | 131 BPM |
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