- BPM
- 70
- Key
- B♭ Minor
- Camelot
- 3A
Children's Corner, L. 113 - arr. for Cello and Orchestra: Golliwog's Cakewalk - Claude Debussy, Julian Lloyd Webber, English Chamber Orchestra, Nicholas Cleobury Information
- Acousticness
- 85%
- Danceability
- 33%
- Energy
- 15%
- Instrumentalness
- 93%
- Liveness
- 11%
- Loudness
- 68%
- Speechiness
- 4%
- Valence
- 12%
- Popularity
- 0%
- Loudness
- -19.152 dB
Summary
"Children's Corner, L. 113 - arr. for Cello and Orchestra: Golliwog's Cakewalk" by Claude Debussy, Julian Lloyd Webber, English Chamber Orchestra, Nicholas Cleobury was released on June 7, 2022. The duration of Children's Corner, L. 113 - arr. for Cello and Orchestra: Golliwog's Cakewalk is about 3 minutes long, at 3:28. Based on our data, "Children's Corner, L. 113 - arr. for Cello and Orchestra: Golliwog's Cakewalk" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 196 out of 231 in Debussy: Music For Concentration by Claude Debussy. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Children's Corner, L. 113 - arr. for Cello and Orchestra: Golliwog's Cakewalk is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Children's Corner, L. 113 - arr. for Cello and Orchestra: Golliwog's Cakewalk BPM
The tempo marking of Children's Corner, L. 113 - arr. for Cello and Orchestra: Golliwog's Cakewalk by Claude Debussy, Julian Lloyd Webber, English Chamber Orchestra, Nicholas Cleobury is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Children's Corner, L. 113 - arr. for Cello and Orchestra: Golliwog's Cakewalk Key
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 15 Improvisations, FP 170: No. 13 in A Minor | Francis Poulenc, Lucille Chung | C Major | 0 | 8B | 72 BPM | |
 | 6 Impromptus, Op. 5: Impromptu No. 5 in B Minor | Jean Sibelius, Håvard Gimse | B Minor | 0 | 10A | 84 BPM | |
 | Le carnaval des animaux, R. 125: Le cygne | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | C Major | 0 | 8B | 83 BPM | |
 | 12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM | |
 | 5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM | |
 | 5 Pieces, Op. 75, "The Trees": No. 5 Granen (The Spruce) | Jean Sibelius, Håvard Gimse | D Major | 0 | 10B | 68 BPM | |
 | Waltz in C-sharp minor, Op. 64 No. 2 | Frédéric Chopin, Khatia Buniatishvili | D♭ Minor | 0 | 12A | 96 BPM | |
 | Cançoneta for Violin and Orchestra | Joaquín Rodrigo, Agustín León Ara, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 0 | 11B | 70 BPM | |
| 24 Preludes, Op. 11: No. 11 in B Major | Alexander Scriabin, Evgeny Zarafiants | B Major | 0 | 1B | 74 BPM | |
 | Lieder ohne Worte, Op.19: No. 6 In G Minor (Andante sostenuto), MWV U 78 - "Venetian Gondola Song" | Felix Mendelssohn, Daniel Barenboim | G Minor | 0 | 6A | 82 BPM |
- ISRC
- NLA508330603
- Label
- L-M Records/RCA Records
Section: 0.6828823089599609
End: 0.6880252361297607