Marc-Antoine Charpentier, William Christie, Les Arts Florissants's 'Charpentier : Médée, Act 2: "Enfin à ton amour tout espoir est permis" (Créon, Créusa, Cléone)' came out on March 28, 1995. The duration of Charpentier : Médée, Act 2: "Enfin à ton amour tout espoir est permis" (Créon, Créusa, Cléone) is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Charpentier : Médée, Act 2: "Enfin à ton amour tout espoir est permis" (Créon, Créusa, Cléone)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 25 out of 66 in Charpentier : Médée by Marc-Antoine Charpentier, William Christie, Les Arts Florissants. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Charpentier : Médée, Act 2: "Enfin à ton amour tout espoir est permis" (Créon, Créusa, Cléone)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Charpentier : Médée, Act 2: "Enfin à ton amour tout espoir est permis" (Créon, Créusa, Cléone) by Marc-Antoine Charpentier, William Christie, Les Arts Florissants is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Litanies de la Vierge, H. 83: Litanies de la Vierge, H. 83: IV. Virgo prudentissima | Marc-Antoine Charpentier, Les Arts Florissants, William Christie, Anne Marie Lasla, Kaori Uemura | D♭ Minor | 1 | 12A | 50 BPM | ||
Concerto grosso No. 10 in F Major: I. Preludio | Giovanni Benedetto Platti, Akademie für Alte Musik Berlin, Georg Kallweit | G Major | 0 | 9B | 95 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": I. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 1 | 11B | 86 BPM | ||
Mondonville : In exitu Israel : "Mare vivit" | Jean-Joseph Cassanéa De Mondonville, William Christie, Les Arts Florissants | D♭ Major | 3 | 3B | 62 BPM | ||
Litanies de la Vierge, H. 83: Litanies de la Vierge, H. 83: X. Agnus Dei | Marc-Antoine Charpentier, Les Arts Florissants, Kaori Uemura, Anne Marie Lasla, William Christie | D♭ Minor | 0 | 12A | 78 BPM | ||
Magnificat, H. 73 | Marc-Antoine Charpentier, Les Arts Florissants, William Christie, Dominique Visse, Michel Laplénie, Philippe Cantor | F♯ Major | 1 | 2B | 92 BPM | ||
Missa Sancti Spiritus, ZWV 4: Kyrie eleison II | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora | B Major | 3 | 1B | 98 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: II. Kyrie, 3. Kyrie eleison | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | D Major | 2 | 10B | 111 BPM | ||
Oboe Concerto in C Major on Themes of Pergolesi: III. Andantino | Anthony Camden, City of London Sinfonia, Nicholas Ward | C Minor | 0 | 5A | 48 BPM | ||
Vespro della Beata Vergine, SV 206: Concerto "Duo Seraphim" | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion, Emiliano Gonzalez Toro, Zachary Wilder, Antonin Rondepierre | G Minor | 2 | 6A | 68 BPM |
Section: 0.5336904525756836
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