"Vespro della Beata Vergine, SV 206: Concerto "Duo Seraphim"" by Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion, Emiliano Gonzalez Toro, Zachary Wilder, Antonin Rondepierre was released on September 1, 2023. Vespro della Beata Vergine, SV 206: Concerto "Duo Seraphim" is about six minutes long, preciously at 6:14, making this song fairly long compared to other songs. The track order of this song in Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion, Céline Scheen, Perrine Devillers, Lucile Richardot, Emiliano Gonzalez Toro, Zachary Wilder, Antonin Rondepierre's "Monteverdi: Vespro della Beata Vergine" album is number 7 out of 26. On top of that, France appears to be the country where this track was created. Vespro della Beata Vergine, SV 206: Concerto "Duo Seraphim" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vespro della Beata Vergine, SV 206: Concerto "Duo Seraphim" by Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion, Emiliano Gonzalez Toro, Zachary Wilder, Antonin Rondepierre to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Rameau: Les Indes Galantes: "Viens, Hymen" (Phani) | Jean-Philippe Rameau, Alexis Kossenko, Les Ambassadeurs | F♯ Major | 0 | 2B | 86 BPM | ||
Vespro della Beata Vergine, SV 206: XIIIh. Magnificat "Esurientes implevit bonis" | Claudio Monteverdi, Philippe Herreweghe, Dorothee Mields, Barbora Kabátková, Collegium Vocale Gent | G Major | 1 | 9B | 115 BPM | ||
Vespro della Beata Vergine, SV 206: Sicut erat | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion | G Minor | 2 | 6A | 55 BPM | ||
St. Matthew Passion, BWV 244: No. 3, Chorale, 'Herzliebster Jesu' | Dietrich Fischer-Dieskau, Sir Peter Pears, Elisabeth Schwarzkopf, Christa Ludwig, Nicolai Gedda, Walter Berry, John Carol Case, Dame Janet Baker | B Minor | 1 | 10A | 81 BPM | ||
Il ritorno d'Ulisse in patria, SV 325: Act I Scene 3: Fermino i sibili - Live | Claudio Monteverdi, Matilde Leonardi, Yuliya Shyshko, Sabina Caponi, Francesco Nocco, Ensemble San Felice, Federico Bardazzi | A Minor | 4 | 8A | 75 BPM | ||
Strozzi: Cantate, ariette e duetti, Op. 2: L'amante consolato | Barbara Strozzi, Jakub Józef Orliński, Il Pomo D'oro | F Major | 2 | 7B | 103 BPM | ||
Madrigali amorosi: No. 9, Canzonetta by Rinuccini, Lamento della Ninfa, Partie II "Amor, dicea, e'l pie" - Partie III "Si tra sdegnosi pianti" | Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini | A Minor | 0 | 8A | 101 BPM | ||
Laudate Dominum | Claudio Monteverdi, Christina Pluhar | G Major | 2 | 9B | 108 BPM | ||
Porpora: Arianna e Teseo: "Mira in cielo" (Alceste) | Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra | E Major | 2 | 12B | 132 BPM | ||
La Favolla d'Apollo: 18. Piangete, Ninfe "La Dafne" | Marco da Gagliano, Ensemble Pygmalion, Davy Cornillot, Virgile Ancely, Maïlys De Villoutreys, Luciana Mancini, Raphael Pichon, Deborah Cachet, Zachary Wilder | A Major | 1 | 11B | 138 BPM |
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