"The Vanishing Bridegroom, Act I: The Inheritance, the Deathbed. There Was a Man" by Judith Weir, Stephen Jeffes, BBC Symphony Orchestra, Martyn Brabbins had its release date on September 2, 2014. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Wier: The Vanishing Bridegroom by Judith Weir, Various Artists, Martyn Brabbins, BBC Symphony Orchestra. The song's track number on the album is #1 out of 46 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. The Vanishing Bridegroom, Act I: The Inheritance, the Deathbed. There Was a Man is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since The Vanishing Bridegroom, Act I: The Inheritance, the Deathbed. There Was a Man by Judith Weir, Stephen Jeffes, BBC Symphony Orchestra, Martyn Brabbins has a tempo of 59 beats per a minute, the tempo markings of this song would be Lento (slowly). With The Vanishing Bridegroom, Act I: The Inheritance, the Deathbed. There Was a Man being at 59 BPM, the half-time would be 30 BPM with a double-time of 118 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Pezzi Sacri: III. Laudi alla Vergine Maria | Giuseppe Verdi, Coro Del Teatro Alla Scala Di Milano, Riccardo Chailly | F♯ Major | 1 | 2B | 69 BPM | ||
Blond Eckbert, Act I: Strohmian! | Judith Weir, Nicholas Folwell, Anne-Marie Owens, English National Opera Orchestra, Sian Edwards | D Minor | 1 | 7A | 90 BPM | ||
Pjotr Tsaikovski: Legend (op. 54/5) | Lumen Valo | E Minor | 0 | 9A | 81 BPM | ||
Pocket Poetry No. 1: IV. Miss You | Hugo Pinheiro, Amanda Aparicio, Edgar Gonsales | C Minor | 0 | 5A | 131 BPM | ||
Peer Gynt, Op. 23, Act V Scene 10: Pinsesalme: Velsignede morgen (Whitsun Hymn: Oh Blessed Morning) | Edvard Grieg, Svein Sturla Hungnes, Marita Sølberg, Kari Simonsen, Andrea Bræin Hovig, Bjorn Willberg Andersen, Ståle Bjørnhaug, Håkan Hagegård, Ingebjorg Kosmo, Kari Postma, Hilde Haraldsen Sveen, Ilkka Leppänen, Torbjorn Gulbrandsoy, Bergen Philharmonic Orchestra, Ole Kristian Ruud | E Minor | 0 | 9A | 68 BPM | ||
Three Songs: No. 2, Quand les hommes vivront d'amour | Philip Glass, The Elysian Singers | C Major | 2 | 8B | 134 BPM | ||
Dark November | Speech to Mortals | D Major | 0 | 10B | 133 BPM | ||
Messe Solennelle, Op. 16 - Gloria | Louis Vierne, Francis Bardot, Louis Vierne, Pierre Pincemaille, Choer d'Enfants de l'Opera National de Paris:Maîtrise des Hauts-de-Seine, Francis Bardot | A Major | 2 | 11B | 107 BPM | ||
Crucero Day's | Crucero Vibes | B♭ Major | 0 | 6B | 133 BPM | ||
Passion Week, Op. 58: II. I See Thy Bridal Chamber | Alexander Gretchaninov, Phoenix Bach Choir, Kansas City Chorale, Charles Bruffy, Caroline Markham, Paul Davidson, Bryan Taylor | A♭ Minor | 1 | 1A | 70 BPM |