"4 Pezzi Sacri: III. Laudi alla Vergine Maria" by Giuseppe Verdi, Coro Del Teatro Alla Scala Di Milano, Riccardo Chailly had its release date on June 21, 2024. This song is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. This song is part of Verdi: Inno delle nazioni; Quattro Pezzi Sacri by Giuseppe Verdi, Freddie De Tommaso, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly. The song's track number on the album is #6 out of 7 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. 4 Pezzi Sacri: III. Laudi alla Vergine Maria is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since 4 Pezzi Sacri: III. Laudi alla Vergine Maria by Giuseppe Verdi, Coro Del Teatro Alla Scala Di Milano, Riccardo Chailly has a tempo of 69 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With 4 Pezzi Sacri: III. Laudi alla Vergine Maria being at 69 BPM, the half-time would be 34 BPM with a double-time of 138 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Enigma Variations. Nimrod: Lux Aeterna | Edward Elgar, London Choral Sinfonia | E Major | 1 | 12B | 87 BPM | ||
Ave Verum Corpus (Arr. Pierini for String Quartet) | William Byrd, Delian Quartett | C Minor | 0 | 5A | 72 BPM | ||
Puccini: Suor Angelica: "Ave Maria" (Chorus, Suor Angelica) | Giacomo Puccini, London Voices, London Symphony Orchestra, Tiffin School Boys' Choir, Antonio Pappano, Terry Edwards, Anna Maria Panzarella, Francesca Pedaci, Elena Zilio, Sara Fulgoni, Dorothea Rschmann, Judith Rees, Rachele Stanisci, Felicity Palmer, Deborah, Cristina Gallardo-Domas, Philharmonia Orchestra | F Major | 0 | 7B | 91 BPM | ||
Hänsel und Gretel: Abends will ich schlafen gehn | Engelbert Humperdinck, Elina Garanca, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | A♭ Major | 0 | 4B | 81 BPM | ||
Requiem, Op. 9: V. Pie Jesu | Maurice Duruflé, Robert Shaw, Atlanta Symphony Orchestra | B♭ Major | 2 | 6B | 130 BPM | ||
I Capuleti e i Montecchi, Act I: Ascolta! Se Romeo t'uccise un figlio | Vincenzo Bellini, Aigul Akhmetshina, Royal Philharmonic Orchestra, Daniele Rustioni, Apollo Voices, Genevieve Ellis | D Major | 1 | 10B | 132 BPM | ||
Tosti: L'ultima canzone - Live | Francesco Paolo Tosti, Michael Fabiano | C Major | 1 | 8B | 70 BPM | ||
Ariettes oubliées, CD 63, L. 60 (Arr. for Orchestra by Brett Dean): III. L'ombre des arbres | Claude Debussy, Jaime Martin, Siobhan Stagg, Melbourne Symphony Orchestra | B♭ Major | 1 | 6B | 76 BPM | ||
Frauenliebe und Leben, Op. 42 (Arr. Reimann for Soprano and String Quartet): No. 1, Seit ich ihn gesehen | Robert Schumann, Claudia Barainsky, Delian Quartett | B♭ Major | 0 | 6B | 80 BPM | ||
The Arnold Book of Old Songs: No. 16, The Ash Grove | Roger Quilter, James Gilchrist, Anna Tilbrook | A♭ Major | 0 | 4B | 85 BPM |