"Blond Eckbert, Act I: Strohmian!" by Judith Weir, Nicholas Folwell, Anne-Marie Owens, English National Opera Orchestra, Sian Edwards had its release date on April 1, 2012. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 10 in Blond Eckbert by Judith Weir, Nerys Jones, Nicholas Folwell, Anne-Marie Owens, Christopher Ventris, English National Opera Orchestra, Sian Edwards. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Blond Eckbert, Act I: Strohmian! is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Blond Eckbert, Act I: Strohmian! by Judith Weir, Nicholas Folwell, Anne-Marie Owens, English National Opera Orchestra, Sian Edwards is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Otche Nach | Nikolay Kedrov, Skylark Vocal Ensemble, Matthew Guard | C Major | 1 | 8B | 75 BPM | ||
Drop down, ye heavens, from above | Judith Weir, Choir of Merton College, Oxford, Benjamin Nicholas | D Minor | 1 | 7A | 148 BPM | ||
2 Sacred Songs: No. 2, Ave Maria | Valentin Silvestrov, Agate Burkina, Rūdolfs Bērtiņš, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 79 BPM | ||
I Know That My Redeemer Liveth | Cecilia McDowall, The Choir of The Queen's College Oxford, Owen Rees | D Major | 1 | 10B | 134 BPM | ||
With Prayer and Supplicaton | Amy Beach, Capitol Hill Choral Society, Paul Hardy, Betty Buchanan | F♯ Minor | 1 | 11A | 108 BPM | ||
All-Night Vigil, Op. 37: No. 6, Rejoice, O Virgin "Ave Maria" | Sergei Rachmaninoff, MDR Leipzig Radio Chorus, Risto Joost | C Major | 3 | 8B | 124 BPM | ||
2 Partsongs, Op. 26: No. 1, The Snow | Edward Elgar, Bavarian Radio Chorus, Radoslaw Szulc, Julita Smoleń, Max Hanft, Howard Arman | G Minor | 1 | 6A | 134 BPM | ||
Nunc Dimittis: Nunc dimittis | Arvo Pärt, South Dakota Chorale, Brian A. Schmidt | A Major | 0 | 11B | 77 BPM | ||
Rise Up My Love | Healey Willan, Choir of Jesus College, Cambridge, Mark Williams | D♭ Major | 1 | 3B | 124 BPM | ||
All-Night Vigil, Op. 52, TH 77 (Excerpts): No. 1, Bless My Soul, O Lord | Pyotr Ilyich Tchaikovsky, Latvian Radio Choir, Sigvards Klava | G Major | 1 | 9B | 78 BPM |