"The Human Comedy, Op. 37: Elegy (Arr. Atovmyan for Cello, Saxophone & Piano)" by Dmitri Shostakovich, Alban Gerhardt, Alliage Quintett was released on June 2, 2023. The duration of The Human Comedy, Op. 37: Elegy (Arr. Atovmyan for Cello, Saxophone & Piano) is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. The Human Comedy, Op. 37: Elegy (Arr. Atovmyan for Cello, Saxophone & Piano)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Phantasy in Blue: Music for Cello and Saxophone Quintet". In this album, this song's track order is #21. Furthermore, we believe that the track originated from United Kingdom. The Human Comedy, Op. 37: Elegy (Arr. Atovmyan for Cello, Saxophone & Piano) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Human Comedy, Op. 37: Elegy (Arr. Atovmyan for Cello, Saxophone & Piano) by Dmitri Shostakovich, Alban Gerhardt, Alliage Quintett having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Études, Op. 10: No. 6 in E-Flat Minor (Arr. for Cello and Piano by A. Glazunov) | Frédéric Chopin, Camille Thomas, Julien Brocal | D Major | 2 | 10B | 176 BPM | ||
Tristan und Isolde, WWV 90: VIII, Ankunft an der Burg - Paraphrase for String Septet by Martina Trumpp | Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord | B Major | 2 | 1B | 85 BPM | ||
7 Canciones populares españolas (Arr. Gottschick for Cello, Piano and 4 Saxophones): No. 4, Jota | Manuel de Falla, Alliage Quintett, Alban Gerhardt | A Major | 1 | 11B | 85 BPM | ||
Trio for Piano, Violin and Horn in E-Flat Major, Op. 40: III. Adagio mesto | Johannes Brahms, Geoffroy Couteau, Amaury Coeytaux, Antoine Dreyfuss | F Major | 0 | 7B | 134 BPM | ||
In the Moonlight | Heino Eller, Andres Kaljuste, Sophia Rahman | E Major | 1 | 12B | 131 BPM | ||
4 Lieder, Op. 96: 死、それは涼しい夜 作品96-1 | Johannes Brahms, 佐藤晴真, 大伏啓太 | E Minor | 3 | 9A | 63 BPM | ||
Cello Sonata, FP 143: II. Cavatine. Très calme | Francis Poulenc, Nash Ensemble | A Major | 1 | 11B | 82 BPM | ||
6 Preludes and Fugues in Free Style, Op. 53: Prelude No. 6 in C Minor | Anton Rubinstein, Martin Cousin | A♭ Major | 0 | 4B | 70 BPM | ||
Five Pieces For Two Violins and Piano: I. Prelude | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | G Major | 0 | 9B | 85 BPM | ||
Shostakovich: Concerto for Piano, Trumpet and String Orchestra No. 1 in C Minor, Op. 35: III. Moderato | Dmitri Shostakovich, Cristina Ortiz, Paavo Berglund, Bournemouth Symphony Orchestra | A♭ Major | 1 | 4B | 147 BPM |
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