Mystery (Rosary) Sonata: No. 13 in D Minor “The Descent of the Holy Spirit”: II. Gavott - Guigue
Heinrich Ignaz Franz von Biber, Alan Choo, Jeannette Sorrell
Biber: Mystery (Rosary) Sonatas
3:12 March 1, 2024
BPM
95
Key
B Major
Camelot
1B

Embed

Share Link

Mystery (Rosary) Sonata: No. 13 in D Minor “The Descent of the Holy Spirit”: II. Gavott - Guigue - Heinrich Ignaz Franz von Biber, Alan Choo, Jeannette Sorrell Information

Acousticness
89%
Danceability
26%
Energy
15%
Instrumentalness
73%
Liveness
10%
Loudness
70%
Speechiness
4%
Valence
30%
Popularity
Loudness
-18.1 dB

Summary

Heinrich Ignaz Franz von Biber, Alan Choo, Jeannette Sorrell's 'Mystery (Rosary) Sonata: No. 13 in D Minor “The Descent of the Holy Spirit”: II. Gavott - Guigue' came out on March 1, 2024. The duration of Mystery (Rosary) Sonata: No. 13 in D Minor “The Descent of the Holy Spirit”: II. Gavott - Guigue is about 3 minutes long, at 3:12. Based on our data, "Mystery (Rosary) Sonata: No. 13 in D Minor “The Descent of the Holy Spirit”: II. Gavott - Guigue" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 9 out of 41 in Biber: Mystery (Rosary) Sonatas by Heinrich Ignaz Franz von Biber, Alan Choo, Apollo's Fire, Jeannette Sorrell. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Mystery (Rosary) Sonata: No. 13 in D Minor “The Descent of the Holy Spirit”: II. Gavott - Guigue is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Mystery (Rosary) Sonata: No. 13 in D Minor “The Descent of the Holy Spirit”: II. Gavott - Guigue BPM

The tempo marking of Mystery (Rosary) Sonata: No. 13 in D Minor “The Descent of the Holy Spirit”: II. Gavott - Guigue by Heinrich Ignaz Franz von Biber, Alan Choo, Jeannette Sorrell is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Mystery (Rosary) Sonata: No. 13 in D Minor “The Descent of the Holy Spirit”: II. Gavott - Guigue Key

This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Trio Sonata No. 2 in G Minor: I. Largo - Andante by Giovanni Bononcini, London BaroqueTrio Sonata No. 2 in G Minor: I. Largo - AndanteGiovanni Bononcini, London BaroqueE♭ Minor12A82 BPM
Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: I. [Allegro] by Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Benjamin Perrot, Florence BoltonSonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: I. [Allegro]Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Benjamin Perrot, Florence BoltonA♭ Minor21A89 BPM
Fantasies and Preludes, Giedde I.45: Vivace alla Francese by Johann Joachim Quantz, Dorothee OberlingerFantasies and Preludes, Giedde I.45: Vivace alla FranceseJohann Joachim Quantz, Dorothee OberlingerA Major011B79 BPM
Fantazia I, Z. 732 by Henry Purcell, John Holloway, Monika Baer, Martin ZellerFantazia I, Z. 732Henry Purcell, John Holloway, Monika Baer, Martin ZellerD♭ Minor112A162 BPM
Sonata in F Major, Op. 1, No. 1: Grave - Allegro - Adagio - Allegro by Arcangelo Corelli, Simon Standage, Michaela Comberti, Anthony Pleeth, Trevor PinnockSonata in F Major, Op. 1, No. 1: Grave - Allegro - Adagio - AllegroArcangelo Corelli, Simon Standage, Michaela Comberti, Anthony Pleeth, Trevor PinnockE Major112B71 BPM
Scene 1 by Francesca Caccini, Ferdinando Saracinelli, Ensemble RenaissanceScene 1Francesca Caccini, Ferdinando Saracinelli, Ensemble RenaissanceF Major17B133 BPM
Les plaisirs: 2e Entree by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin MallonLes plaisirs: 2e EntreeJean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin MallonB Minor110A79 BPM
Neubrandenburg Concerto No. 3: I. Allegro (Transcr. By Harer, after Bach's Sonata for Viola da Gamba and Harpsichord, BWV 1029) by Johann Sebastian Bach, Christoph Harer, La Festa MusicaleNeubrandenburg Concerto No. 3: I. Allegro (Transcr. By Harer, after Bach's Sonata for Viola da Gamba and Harpsichord, BWV 1029)Johann Sebastian Bach, Christoph Harer, La Festa MusicaleF♯ Minor211A168 BPM
Violin Sonata in G Major, Op. 5, No. 12: III. Largo by Jean-Marie Leclair, Trio SettecentoViolin Sonata in G Major, Op. 5, No. 12: III. LargoJean-Marie Leclair, Trio SettecentoD Minor17A110 BPM
Dies iræ, S. 31: Dies iræ by Michel Richard Delalande, Ensemble Correspondances, Sébastien DaucéDies iræ, S. 31: Dies iræMichel Richard Delalande, Ensemble Correspondances, Sébastien DaucéB Major21B91 BPM
ISRC
GBELX2308752
Label
L-M Records/RCA Records

Section: 0.8673994541168213

End: 0.8770864009857178