"Trio Sonata No. 2 in G Minor: I. Largo - Andante" by Giovanni Bononcini, London Baroque was released on March 26, 2013. The duration of Trio Sonata No. 2 in G Minor: I. Largo - Andante is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Trio Sonata No. 2 in G Minor: I. Largo - Andante's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "The trio sonata in 18th century italy". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Sweden. Trio Sonata No. 2 in G Minor: I. Largo - Andante is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Trio Sonata No. 2 in G Minor: I. Largo - Andante by Giovanni Bononcini, London Baroque having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio Sonata in G Major, Op. 3, No. 1: III. Minuetto | Carl Friedrich Abel, London Baroque | F♯ Major | 1 | 2B | 105 BPM | ||
Symphony No. 4 in C Major: III. Allegro | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | F♯ Major | 2 | 2B | 186 BPM | ||
Harpsichord Concerto No. 4 in C Minor, Op. 10: I. Vivace | John Stanley, London Baroque | B Minor | 2 | 10A | 119 BPM | ||
Trio Sonata in G Minor, Op. 1, No. 1, RV 73: III. Adagio | Antonio Vivaldi, Ingrid Seifert, Richard Gwilt, Charles Medlam, Terence R. Charlston, Irmgard Schaller, London Baroque | F♯ Minor | 1 | 11A | 79 BPM | ||
Les plaisirs: 2e Entree | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | B Minor | 1 | 10A | 79 BPM | ||
Trio Sonata in D Major, Op. 5, No. 2, HWV 397: II. Allegro | George Frideric Handel, London Baroque | D♭ Major | 3 | 3B | 126 BPM | ||
Trio Sonata in G Minor, Op. 2 No. 8, HWV 393: III. Largo | George Frideric Handel, London Baroque | A Major | 0 | 11B | 77 BPM | ||
12 Sonate a 3, Op. 1: Sonata No. 8: I. Largo | John Ravenscroft, London Baroque | F♯ Major | 2 | 2B | 75 BPM | ||
Quatrieme livre de 6 quatuors: Quartet No. 3 in A Major, TWV 43:A4: IV. Allegro | Georg Philipp Telemann, American Baroque | F Major | 0 | 7B | 103 BPM | ||
Sonata for 2 Violins and Basso Continuo: I. Allegro assai | Ignacio Balbi, Florilegium | B Minor | 0 | 10A | 132 BPM |
Section: 0.9561142921447754
End: 0.9687411785125732