Carl Friedrich Abel, London Baroque made "Trio Sonata in G Major, Op. 3, No. 1: III. Minuetto" available on August 24, 2010. The duration of Trio Sonata in G Major, Op. 3, No. 1: III. Minuetto is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Trio Sonata in G Major, Op. 3, No. 1: III. Minuetto's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "The Trio Sonata in 18th Century England". In this album, this song's track order is #27. In terms of popularity, Trio Sonata in G Major, Op. 3, No. 1: III. Minuetto is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Trio Sonata in G Major, Op. 3, No. 1: III. Minuetto by Carl Friedrich Abel, London Baroque having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasy Upon One Note | Henry Purcell, John Holloway, Monika Baer, Renate Steinmann, Susanna Hefti, Martin Zeller | E Major | 1 | 12B | 133 BPM | ||
Rameau: Les Fêtes d'Hébé, Act I: "Je vous revois" (Le Ruisseau, La Naïade) | Jean-Philippe Rameau, Jean Rondeau, Lea Desandre, Marc Mauillon, Myriam Rignol | F♯ Major | 1 | 2B | 128 BPM | ||
Sonata for violoncello and basso continuo in G Major, WKO 147: III. Rondeau | Carl Friedrich Abel, Elinor Frey, Lorenzo Ghielmi | F♯ Major | 2 | 2B | 147 BPM | ||
Ancor che col partire (Arr. The Dowland Project, Potter) | Cipriano de Rore, The Dowland Project | A Minor | 1 | 8A | 111 BPM | ||
Couperin: L'art de toucher le clavecin: Premier prélude | François Couperin, Gustav Leonhardt | A♭ Major | 0 | 4B | 69 BPM | ||
Fantazia I in 3 Parts | Henry Purcell, Fretwork | D♭ Minor | 1 | 12A | 102 BPM | ||
The Division Violin: No. 13, Prelude in G Major | Thomas Baltzar, Augusta McKay Lodge | F♯ Major | 1 | 2B | 118 BPM | ||
Concert XLVIIIe siècle "Le Raporté": Chaconne raportée à deux violes esgales | Monsieur de Sainte-Colombe, Sophie Watillon, Friederike Heumann | F♯ Minor | 0 | 11A | 157 BPM | ||
Le trophée: Gavotte pour les muses et les plaisirs. Gracieusement | François Rebel, François Francoeur, Théotime Langlois de Swarte, Justin Taylor | F Major | 0 | 7B | 73 BPM | ||
Suite in E Minor, BWV 996: V. Bourée | Johann Sebastian Bach, Evangelina Mascardi | B Minor | 2 | 10A | 175 BPM |
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