"Couperin: L'art de toucher le clavecin: Premier prélude" by François Couperin, Gustav Leonhardt was released on February 14, 2022. With Couperin: L'art de toucher le clavecin: Premier prélude being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 19 in Couperin, Poglietti, Grigny & Rameau: Keyboard Works by Gustav Leonhardt, François Couperin, Jean-Philippe Rameau. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Couperin: L'art de toucher le clavecin: Premier prélude is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Couperin: L'art de toucher le clavecin: Premier prélude by François Couperin, Gustav Leonhardt is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Petits Âges - La Muse Naissante: 7ème ordre, 2ème livre | François Couperin, Iddo Bar-Shaï | G Major | 1 | 9B | 71 BPM | ||
Mendelssohn: 6 Lieder ohne Worte, Book 6, Op. 67: II. Allegro leggiero | Felix Mendelssohn, Leif Ove Andsnes | F♯ Minor | 1 | 11A | 182 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Carnaval, Op. 9: XII. Chopin | Robert Schumann, Valentina Igoshina | B♭ Minor | 0 | 3A | 73 BPM | ||
4 Impromptus, D. 899, Op. 90: No. 3 in G-Flat Major | Franz Schubert, Murray Perahia | C Minor | 5 | 5A | 150 BPM | ||
La Visionnaire (25e ordre) | François Couperin, Alexandre Tharaud | E♭ Major | 2 | 5B | 108 BPM | ||
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | ||
Jeux d'enfants, Op. 22 WD 56: 3. La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | ||
Sonata No. 42 in D Minor (Arr. Ólafsson) | Domenico Cimarosa, Víkingur Ólafsson | D Minor | 0 | 7A | 61 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM |
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