Igor Stravinsky, Riccardo Muti, Philadelphia Orchestra made "Stravinsky: Petrouchka, Tableau II "Chez Petrouchka": Chez Petrouchka (1947 Version)" available on January 1, 1982. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Stravinsky: Petrushka (1947 Version)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Stravinsky: Petrouchka, Tableau II "Chez Petrouchka": Chez Petrouchka (1947 Version) is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Stravinsky: Petrouchka, Tableau II "Chez Petrouchka": Chez Petrouchka (1947 Version) by Igor Stravinsky, Riccardo Muti, Philadelphia Orchestra having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Fugue: Full Orchestra (Allegro molto) | Benjamin Britten, Eugene Ormandy, Philadelphia Orchestra | D Major | 4 | 10B | 143 BPM | ||
Die Walküre, WWV 86B, Act III: Wotan's Farewell to His Favorite Daughter (Wotan's Farewell and Magic Fire Music) | Richard Wagner, Berliner Philharmoniker, Lorin Maazel | E♭ Major | 3 | 5B | 96 BPM | ||
The Young Pioneers (1936) | Aaron Copland, Leo Smit | A♭ Major | 3 | 4B | 84 BPM | ||
Mozart: Don Giovanni, K. 527, Act 1: "Notte e giorno faticar" (Leporello, Donna Anna, Don Giovanni, Il Commendatore) | Wolfgang Amadeus Mozart, Riccardo Muti, Cheryl Studer, Jan-Hendrik Rootering, Samuel Ramey, William Schimell, Wiener Philharmoniker | F Major | 2 | 7B | 94 BPM | ||
Britten: Serenade for Tenor, Horn and Strings, Op. 31: I. Prologue | Benjamin Britten, Ian Bostridge | C Major | 0 | 8B | 69 BPM | ||
Pictures at an Exhibition (Orch. Ravel): IX. The Hut on Fowl's Legs "Baba-Yaga" | Modest Mussorgsky, London Symphony Orchestra, Claudio Abbado | E Minor | 2 | 9A | 125 BPM | ||
Violin Sonata: I. Andante semplice | Aaron Copland, Paul Posnak, Peter Zazofsky | G Major | 0 | 9B | 95 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: I. Allegretto - Allegro vivace | Dmitri Shostakovich, André Previn, William Vacchiano, New York Philharmonic, Leonard Bernstein | G Major | 2 | 9B | 124 BPM | ||
Alpensymphonie, Op.64: Nacht (II) | Richard Strauss, Staatskapelle Dresden, Giuseppe Sinopoli | A♭ Major | 0 | 4B | 82 BPM | ||
Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 10, Funeral March. Andante comodo | Felix Mendelssohn, Otto Klemperer, Philharmonia Orchestra | C Minor | 0 | 5A | 0 BPM |
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