- BPM
- 143
- Key
- D Major
- Camelot
- 10B
The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Fugue: Full Orchestra (Allegro molto) - Benjamin Britten, Eugene Ormandy, Philadelphia Orchestra Information
- Acousticness
- 90%
- Danceability
- 36%
- Energy
- 38%
- Instrumentalness
- 89%
- Liveness
- 12%
- Loudness
- 77%
- Speechiness
- 5%
- Valence
- 30%
- Popularity
- 20%
- Loudness
- -13.561 dB
Summary
Benjamin Britten, Eugene Ormandy, Philadelphia Orchestra's 'The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Fugue: Full Orchestra (Allegro molto)' came out on May 2, 1978. The duration of The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Fugue: Full Orchestra (Allegro molto) is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Fugue: Full Orchestra (Allegro molto)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 33 out of 41 in David Bowie narrates Prokofiev's Peter and the Wolf & The Young Person's Guide to the Orchestra by David Bowie, Eugene Ormandy. Based on our statistics, The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Fugue: Full Orchestra (Allegro molto)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Fugue: Full Orchestra (Allegro molto) BPM
The tempo marking of The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Fugue: Full Orchestra (Allegro molto) by Benjamin Britten, Eugene Ormandy, Philadelphia Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 143 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Fugue: Full Orchestra (Allegro molto) Key
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Major | 3 | 7B | 111 BPM | |
 | Peer Gynt Suite No. 2, Op. 55: II. Arabian Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 130 BPM | |
 | Raymonda, Act I: Scene 1. 1er Tableau (Lento maestoso) | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | E♭ Major | 1 | 5B | 81 BPM | |
 | Debussy / Orch. Stokowski: Suite bergamasque, CD 82, L. 75: III. Clair de lune | Claude Debussy, Wolfgang Sawallisch, Philadelphia Orchestra | F♯ Major | 0 | 2B | 113 BPM | |
 | Hungarian Dance No.8 in A minor - Orchestrated by R. Schollum | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | A Minor | 1 | 8A | 138 BPM | |
 | Capriccio Espagnol: Alborada | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden | B♭ Major | 3 | 6B | 126 BPM | |
 | Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": II. Scene am Bach. Andante molto moto | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | C Major | 0 | 8B | 128 BPM | |
| Scheherazade: The Ship breaks up against a cliff surmounted by a bronze horseman | Nikolai Rimsky-Korsakov, Joakim Svenheden | A Minor | 5 | 8A | 93 BPM | |
 | Romeo and Juliet, Op. 64 - Act 1: The Street Wakens - Morning Dance | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | G Major | 2 | 9B | 90 BPM | |
 | Die Meistersinger von Nürnberg, WWV 96 / Act 3: Prelude | Richard Wagner, Orchester der Deutschen Oper Berlin, Eugen Jochum | E Minor | 0 | 9A | 65 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7670497894287109
End: 0.7704579830169678