"Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 10, Funeral March. Andante comodo" by Felix Mendelssohn, Otto Klemperer, Philharmonia Orchestra was released on January 1, 1961. With Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 10, Funeral March. Andante comodo being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Felix Mendelssohn, Otto Klemperer, Philharmonia Orchestra's "Mendelssohn: A Midsummer Night's Dream, Op. 61" album is number 8 out of 10. On top of that, United Kingdom appears to be the country where this track was created. Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 10, Funeral March. Andante comodo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 10, Funeral March. Andante comodo by Felix Mendelssohn, Otto Klemperer, Philharmonia Orchestra to be Larghissimo because the track has a tempo of 0 BPM, a half-time of 0BPM, and a double-time of 0 BPM. Based on that, the speed of the song's tempo is slow.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on an Original Theme, Op. 36 "Enigma": 3. R.B.T. (Allegretto) | Edward Elgar, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 65 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 5. R.P.A. (Moderato) | Edward Elgar, Wiener Philharmoniker, John Eliot Gardiner | C Minor | 1 | 5A | 70 BPM | ||
Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 11, A Dance of Clowns. Allegro di molto | Felix Mendelssohn, Otto Klemperer, Philharmonia Orchestra | B Major | 2 | 1B | 117 BPM | ||
Symphony No.3 In E Flat, Op.97 - "Rhenish": 2. Scherzo (Sehr mäßig) | Robert Schumann, Philharmonia Orchestra, Christian Thielemann | E♭ Major | 2 | 5B | 110 BPM | ||
Nielsen: Clarinet Concerto, Op. 57, FS 129: Allegro non troppo - | Carl Nielsen, Sabine Meyer, Sir Simon Rattle, Berliner Philharmoniker | F♯ Major | 1 | 2B | 57 BPM | ||
Symphony No.2 in C Minor "Resurrection": First Movement: Tempo I | Gustav Mahler, Gilbert Kaplan, Ben Rizzi | E♭ Major | 3 | 5B | 96 BPM | ||
Saint-Saëns / Arr. Hazell: Le carnaval des animaux: XIII. Le cygne | Camille Saint-Saëns, Han-Na Chang, Leonard Slatkin, Philharmonia Orchestra, Aline Brewer | C Major | 1 | 8B | 86 BPM | ||
String Octet in B-Flat Major: II. Adagio | Max Bruch, Zsolt Fejervari, Kodály Quartet, Auer String Quartet | A Minor | 3 | 8A | 136 BPM | ||
Symphony No. 5 In B-Flat, Op. 100: 4. Allegro giocoso | Sergei Prokofiev, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 131 BPM | ||
Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": IV. (b) Presto - Recitativo. "O Freunde, nicht diese Töne!" | Ludwig van Beethoven, Otto Klemperer, Aase Nordmo Løvberg, Christa Ludwig, Hans Hotter, The Philharmonia Chorus, Waldemar Kmentt, Philharmonia Orchestra | E♭ Major | 1 | 5B | 126 BPM |
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