"Songs from "Des Knaben Wunderhorn": 11. Urlicht" by Gustav Mahler, Brigitte Fassbaender, Deutsches Symphonie-Orchester Berlin, Riccardo Chailly was released on January 1, 2010. With this song being about 5 minutes long, at 4:46, "Songs from "Des Knaben Wunderhorn": 11. Urlicht" by Gustav Mahler, Brigitte Fassbaender, Deutsches Symphonie-Orchester Berlin, Riccardo Chailly is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in マーラー ベスト・オブ・ベスト, so we believe that "Songs from "Des Knaben Wunderhorn": 11. Urlicht" is a single. Songs from "Des Knaben Wunderhorn": 11. Urlicht is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Songs from "Des Knaben Wunderhorn": 11. Urlicht by Gustav Mahler, Brigitte Fassbaender, Deutsches Symphonie-Orchester Berlin, Riccardo Chailly is Lento (slowly), since this song has a tempo of 60 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Korngold: Violin Concerto in D Major, Op. 35: III. Allegro assai vivace | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Major | 1 | 11B | 122 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Symphony No. 8 in E flat - "Symphony of a Thousand" - Part One: Hymnus "Veni creator spiritus": "Accende lumen sensibus" | Gustav Mahler, Jane Eaglen, Anne Schwanewilms, Ruth Ziesak, Sara Fulgoni, Anna Larsson, Ben Heppner, Peter Mattei, Jan-Hendrik Rootering, Netherlands Radio Choir, Prague Philharmonic Chorus, Jongens en meisjes van het Kathedrale Koor St.Bavo, Haarlem, Sacramentskoor Breda, Royal Concertgebouw Orchestra, Riccardo Chailly | B Major | 1 | 1B | 69 BPM | ||
Tchaikovsky: Variations on a Rococo Theme, Op. 33: Introduction - Thema | Pyotr Ilyich Tchaikovsky, Munich Philharmonic Orchestra, Valery Gergiev | B♭ Minor | 1 | 3A | 136 BPM | ||
St. Paul's Suite, Op. 29, No. 2: III. Intermezzo | Gustav Holst, English Sinfonia, Howard Griffiths | E Minor | 1 | 9A | 132 BPM | ||
Das Paradies und die Peri, Op. 50, Erster Teil: No. 8 Weh, weh, er fehlte das Ziel | Robert Schumann, London Symphony Orchestra, London Symphony Chorus, Sir Simon Rattle, Simon Halsey | B Minor | 0 | 10A | 74 BPM | ||
La Mer, L.109: 3. Dialogue Of The Wind And The Sea | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 2 | 3B | 83 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": IV. Saltarello. Presto | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | A Minor | 1 | 8A | 100 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
Debussy: Petite suite, CD 71, L. 65: II. Cortège (Orch. Büsser) | Claude Debussy, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | E Major | 1 | 12B | 90 BPM |
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