Kurt Weill, Meriel Dickinson, Mary Thomas, Philip Langridge, Ian Partridge, Benjamin Luxon, London Sinfonietta, David Atherton's 'Happy End (1929) / Part 3 - Songs of the Rival Armies: 14. The little lieutenant of the loving God II' came out on January 1, 1976. The duration of Happy End (1929) / Part 3 - Songs of the Rival Armies: 14. The little lieutenant of the loving God II is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Happy End (1929) / Part 3 - Songs of the Rival Armies: 14. The little lieutenant of the loving God II's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Weill: Kleine Dreigroschenmusik; Mahagonny Songspiel; Happy End; Berliner Requiem; Violin Concerto by Kurt Weill, London Sinfonietta, David Atherton. The song's track number on the album is #14 out of 42 tracks. In terms of popularity, Happy End (1929) / Part 3 - Songs of the Rival Armies: 14. The little lieutenant of the loving God II is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Happy End (1929) / Part 3 - Songs of the Rival Armies: 14. The little lieutenant of the loving God II by Kurt Weill, Meriel Dickinson, Mary Thomas, Philip Langridge, Ian Partridge, Benjamin Luxon, London Sinfonietta, David Atherton has a tempo of 110 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Happy End (1929) / Part 3 - Songs of the Rival Armies: 14. The little lieutenant of the loving God II being at 110 BPM, the half-time would be 55 BPM with a double-time of 220 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Als die alte Mutter | Victoria de los Ángeles | D Major | 2 | 10B | 81 BPM | ||
The Young Person's Guide to the Orchestra, Op.34: Theme (Allegro maestoso e largamente) | Sir Simon Rattle, City Of Birmingham Symphony Orchestra | G Minor | 2 | 6A | 88 BPM | ||
Saint-Saëns: Samson et Dalila, Op. 47, Act II, Scene 3: Air. "Mon cœur s'ouvre à ta voix" (Dalila, Samson) | Camille Saint-Saëns, Myung-Whun Chung, Plácido Domingo, Waltraud Meier, Orchestre de l'Opéra National de Paris | D♭ Major | 2 | 3B | 80 BPM | ||
Die Dreigroschenoper: Anstatt-daß-Song | Kurt Weill, Mario Adorf, Helga Dernesch, Rias-Sinfonietta Berlin, John Mauceri | D Minor | 1 | 7A | 100 BPM | ||
Così fan tutte, K.588 / Act 1: "Soave sia il vento" | Wolfgang Amadeus Mozart, The Clarinotts, Wiener Virtuosen Streichensemble | E Major | 0 | 12B | 133 BPM | ||
Les Pêcheurs de perles: Je crois entendre encore (Nadir) | Georges Bizet, Nicolai Gedda, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | A Minor | 1 | 8A | 88 BPM | ||
Tanhauser/Oh! Du Mein Holder Abendstern | Original Soundtrack | G Major | 1 | 9B | 101 BPM | ||
Mozart: Così fan tutte, K. 588, Act 1: Terzettino. "Soave sia il vento" (Fiordiligi, Dorabella, Don Alfonso) | Wolfgang Amadeus Mozart, Karl Böhm, Christa Ludwig, Elisabeth Schwarzkopf, Heinrich Schmidt, Walter Berry, Philharmonia Orchestra | E Major | 1 | 12B | 124 BPM | ||
Warsaw Concerto | Richard Addinsell, Cristina Ortiz, Royal Philharmonic Orchestra, Moshe Atzmon | B Major | 1 | 1B | 74 BPM | ||
Delibes: Lakmé, Act 2: "Où va la jeune hindoue" (Lakmé) | Léo Delibes, Sabine Devieilhe, François-Xavier Roth, Les Siècles | A Major | 1 | 11B | 70 BPM |
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