Kurt Weill, Mario Adorf, Helga Dernesch, Rias-Sinfonietta Berlin, John Mauceri made "Die Dreigroschenoper: Anstatt-daß-Song" available on January 1, 1988. With Die Dreigroschenoper: Anstatt-daß-Song being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Weill: The Threepenny Opera by Kurt Weill, René Kollo, Mario Adorf, Helga Dernesch, Ute Lemper, Milva, Wolfgang Reichmann, Susanne Tremper, Rolf Boysen, Rias-Sinfonietta Berlin, John Mauceri. The song's track number on the album is #4 out of 27 tracks. In terms of popularity, Die Dreigroschenoper: Anstatt-daß-Song is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since Die Dreigroschenoper: Anstatt-daß-Song by Kurt Weill, Mario Adorf, Helga Dernesch, Rias-Sinfonietta Berlin, John Mauceri has a tempo of 100 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Die Dreigroschenoper: Anstatt-daß-Song being at 100 BPM, the half-time would be 50 BPM with a double-time of 200 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Bride of Frankenstein: The Bride of Frankenstein - Creation Of The Female Monster & The Tower Explodes | Franz Waxman, Hollywood Bowl Orchestra, John Mauceri | C Major | 1 | 8B | 173 BPM | ||
Kapitel 3.2 - Der gute Gott von Manhattan | Ingeborg Bachmann | G Major | 1 | 9B | 172 BPM | ||
Mozart: Die Zauberflöte, K. 620: "In diesen heil'gen Hallen" (Sarastro) | Wolfgang Amadeus Mozart, Kim Borg, Horst Stein, Deutsches Symphonie-Orchester Berlin | E Major | 1 | 12B | 78 BPM | ||
Trial by Jury: Hark, The Hour of Ten Is Sounding | Gilbert & Sullivan Society of Houston | A Major | 3 | 11B | 181 BPM | ||
I've Got a Little List (from "The Mikado") | William Schwenck Gilbert, Arthur Sullivan, Donald Adams, James Walker, Royal Philharmonic Orchestra | F Minor | 2 | 4A | 82 BPM | ||
Weber: Der Freischütz, Op. 77, J. 277: Ouverture (Adagio - Molto vivace) | Carl Maria von Weber, Elisabeth Grümmer, Berliner Philharmoniker, Joseph Keilberth | F Major | 3 | 7B | 88 BPM | ||
Die Dreigroschenoper: Grabschrift | Kurt Weill, Rolf Boysen, René Kollo, Rias-Sinfonietta Berlin, John Mauceri | G Major | 1 | 9B | 77 BPM | ||
Lady in the Dark: 3. My Ship | Kurt Weill, Ute Lemper, Jeff Cohen, Rias-Sinfonietta Berlin, John Mauceri | C Major | 1 | 8B | 87 BPM | ||
Der Rosenkavalier, Op. 59 / Act 3: "Ist ein Traum, kann nicht wirklich sein" | Richard Strauss, Renée Fleming, Sophie Koch, Munich Philharmonic Orchestra, Christian Thielemann | E Minor | 1 | 9A | 85 BPM | ||
Das Lied von der Erde: II. Der Einsame im Herbst - 2008 Remastered | Gustav Mahler, Leonard Bernstein, Israel Philharmonic Orchestra | G Minor | 1 | 6A | 91 BPM |
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