Sir Simon Rattle, City Of Birmingham Symphony Orchestra's 'The Young Person's Guide to the Orchestra, Op.34: Theme (Allegro maestoso e largamente)' came out on 1996. With The Young Person's Guide to the Orchestra, Op.34: Theme (Allegro maestoso e largamente) being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 25 in Britten: The Young Person's Guide to the Orchestra etc by Sir Simon Rattle. The Young Person's Guide to the Orchestra, Op.34: Theme (Allegro maestoso e largamente) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Young Person's Guide to the Orchestra, Op.34: Theme (Allegro maestoso e largamente) by Sir Simon Rattle, City Of Birmingham Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Beethoven: Fidelio, Op. 72, Act 1: "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) | Ludwig van Beethoven, Sir Simon Rattle, Angela Denoke, Juliane Banse, Rainer Trost, László Polgár, Berliner Philharmoniker | G Major | 1 | 9B | 78 BPM | ||
Aladdin, Op. 34, FS 89, CNW 17, Act III: Oriental festival march | Carl Nielsen, Gennady Rozhdestvensky, Danish National Symphony Orchestra, Guido Paevatalu, Mette Ejsing, Danish National Radio Chamber Choir | A Minor | 4 | 8A | 100 BPM | ||
Symphony No. 3 - 'Pastoral Symphony': I. Molto moderato | Ralph Vaughan Williams, Hallé, Sir Mark Elder | A Minor | 0 | 8A | 81 BPM | ||
Act 1: IV. Morning Dance | Sergei Prokofiev, Oslo Philharmonic Orchestra, Vasily Petrenko | G Minor | 2 | 6A | 88 BPM | ||
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
Sibelius : Karelia Suite Op.11 : III Alla marcia | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A Major | 2 | 11B | 173 BPM | ||
Symphonie "Mathis der Maler": 1. Engelkonzert | Paul Hindemith, San Francisco Symphony, Herbert Blomstedt | D Major | 1 | 10B | 113 BPM | ||
Grieg: Suite No. 2 from Peer Gynt, Op. 55: II. Arabian Dance | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra | F Major | 2 | 7B | 129 BPM | ||
Orpheus In The Underworld (Orphée aux enfers): Overture | Jacques Offenbach, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 82 BPM | ||
Berlioz: Symphonie fantastique, Op. 14, H 48: II. Un bal. Valse. Allegro non troppo | Hector Berlioz, Sir Thomas Beecham, French National Radio Orchestra | A Major | 2 | 11B | 74 BPM |
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