Johann Christian Bach, Ulrike Sonntag, Elfie Hobarth, Ibolya Verebics, James Wagner, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling made "Amadis de Gaule, W. G39: Act III Scene VI: Aria: Eitle Angst und nichtige Sorge! (Arcalaus)" available on January 1, 1990. The duration of Amadis de Gaule, W. G39: Act III Scene VI: Aria: Eitle Angst und nichtige Sorge! (Arcalaus) is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Amadis de Gaule, W. G39: Act III Scene VI: Aria: Eitle Angst und nichtige Sorge! (Arcalaus)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 27 out of 57 in Bach, J.C.: Amadis De Gaule by Johann Christian Bach, Helmuth Rilling. Amadis de Gaule, W. G39: Act III Scene VI: Aria: Eitle Angst und nichtige Sorge! (Arcalaus) is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Amadis de Gaule, W. G39: Act III Scene VI: Aria: Eitle Angst und nichtige Sorge! (Arcalaus) by Johann Christian Bach, Ulrike Sonntag, Elfie Hobarth, Ibolya Verebics, James Wagner, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in G Major, Op. 3 No. 1, WolS G2: I. Presto assai | Johann Stamitz, Musica Viva, Alexander Rudin | D♭ Major | 3 | 3B | 82 BPM | ||
Symphony in A Major, Op. 24 No. 2, P. I:7: I. Allegro moderato | Leopold Koželuch, Czech Philharmonic Chamber Orchestra, Marek Štilec | A Major | 2 | 11B | 145 BPM | ||
Nocturne-serenade, Op. 45 | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | B♭ Major | 0 | 6B | 108 BPM | ||
Symphonie concertante in D Major, "Mirza": I. Allegro | Francois-Joseph Gossec, Martin Sandhoff, Andrea Keller, Concerto Köln | D Major | 1 | 10B | 161 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 2 | 7A | 145 BPM | ||
Keyboard Sonata in E Major, K. 380: Andante commodo | Domenico Scarlatti, Ivo Pogorelich | B Major | 0 | 1B | 88 BPM | ||
Magnificat, W. E22: Fecit potentiam (Alto, Tenor, Bass, Chorus) | Johann Christian Bach, Elisabeth Scholl, Ruth Sandhoff, Andreas Karasiak, Gotthold Schwarz, Dresden Chamber Choir, La Stagione Frankfurt, Michael Schneider | B Major | 3 | 1B | 64 BPM | ||
Solomon, HWV 67 / Act III: Sinfonia "The Arrival of the Queen of Sheba" | George Frideric Handel, The English Concert, Trevor Pinnock | A Major | 3 | 11B | 118 BPM | ||
Symphony in B-Flat Major, Op. 3, No. 4, W. C4: I. Allegro con spirito | Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür | F Major | 1 | 7B | 131 BPM | ||
Keyboard Concerto in E-Flat Major, Op. 7. No. 5, W. C59: II. Andante | Johann Christian Bach, Anastasia Injushina, Hamburger Camerata, Ralf Gothoni | C Minor | 0 | 5A | 84 BPM |
Section: 0.5836834907531738
End: 0.5873208045959473