Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür made "Symphony in B-Flat Major, Op. 3, No. 4, W. C4: I. Allegro con spirito" available on January 4, 1995. With this song being about 5 minutes long, at 4:56, "Symphony in B-Flat Major, Op. 3, No. 4, W. C4: I. Allegro con spirito" by Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 18 in Bach, J.C.: Sinfonias, Vol. 1 by Johann Christian Bach. Based on our statistics, Symphony in B-Flat Major, Op. 3, No. 4, W. C4: I. Allegro con spirito's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Symphony in B-Flat Major, Op. 3, No. 4, W. C4: I. Allegro con spirito by Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia No. 4 in B-Flat Major, W. B10: III. Marche | Johann Christian Bach, Nachtmusique | A Major | 1 | 11B | 98 BPM | ||
Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM | ||
Macbeth: End of Act 4 – The Earl of Douglas’s Lament | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 1 | 6B | 136 BPM | ||
Sinfonia concertante in B-Flat Major, W. C48: III. Rondo: Allegretto | Johann Christian Bach, Lajos Lencsés, Bela Banfalvi, Karoly Botvay, Budapest Strings | C Major | 1 | 8B | 184 BPM | ||
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124] | Carl Philipp Emanuel Bach, Giovanni Mazzocchin | E♭ Major | 1 | 5B | 113 BPM | ||
String Quintet in F Major, Op. 20, No. 3, G. 291: I. Prestissimo | Luigi Boccherini, Quintetto Boccherini | F Major | 2 | 7B | 161 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Symphony in F Major, J-C 36: III. Allegro assai | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | E Major | 3 | 12B | 126 BPM | ||
Double Bass Concerto in D Major: II. Adagio | Johann Baptist Vanhal, Zsolt Fejervari, Budapest Ferenc Erkel Chamber Orchestra | A Major | 0 | 11B | 122 BPM | ||
Magnificat, W. E22: Fecit potentiam (Alto, Tenor, Bass, Chorus) | Johann Christian Bach, Elisabeth Scholl, Ruth Sandhoff, Andreas Karasiak, Gotthold Schwarz, Dresden Chamber Choir, La Stagione Frankfurt, Michael Schneider | B Major | 3 | 1B | 64 BPM |
Section: 0.7765305042266846
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