"Pagliacci / Act 1: "Vesti la giubba" - Live" by Ruggero Leoncavallo, Luciano Pavarotti, Philadelphia Orchestra, Riccardo Muti had its release date on January 1, 1993. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Ruggero Leoncavallo, Luciano Pavarotti, Daniela Dessi, Juan Pons, Paolo Coni, Ernesto Gavazzi, Philadelphia Orchestra, Riccardo Muti's "Leoncavallo: I Pagliacci" album is number 16 out of 25. On top of that, Netherlands appears to be the country where this track was created. Pagliacci / Act 1: "Vesti la giubba" - Live is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pagliacci / Act 1: "Vesti la giubba" - Live by Ruggero Leoncavallo, Luciano Pavarotti, Philadelphia Orchestra, Riccardo Muti to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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La vie parisienne / Act I: "Je suis brésilien" (Arr. for Tenor, Cello and Orchestra by Alessandro Bares) - Bonus Track | Jacques Offenbach, Rolando Villazón, Camille Thomas, Orchestre National de Lille, Alexandre Bloch | F Major | 3 | 7B | 137 BPM | ||
Mefistofele: Prologue - Intermezzo | Arrigo Boito, Riccardo Muti | F Major | 1 | 7B | 83 BPM | ||
"Piscatore 'e Pusilleco" | Ernesto Tagliaferri, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Anton Guadagno | F Major | 2 | 7B | 90 BPM | ||
L'elisir d'amore, Act. I - Quanto è bella quanto è cara | Gaetano Donizetti, Luciano Pavarotti, Leone Magiera, Orchestra Da Camera Di Bologna | C Major | 3 | 8B | 70 BPM | ||
La forza dell’amore e dell’odio: "Vado a morir" | Francesco Araia, Cecilia Bartoli, I Barocchisti, Diego Fasolis | E Minor | 2 | 9A | 176 BPM | ||
Santa Lucia | Teodoro Cottrau, Roberto Alagna, Yvan Cassar, Orchestre national d'île-de-France | E♭ Major | 2 | 5B | 90 BPM | ||
Valzer Del Commiato | Nino Rota | C Major | 4 | 8B | 100 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Anne Sofie von Otter, Francisco Araiza, Cheryl Studer, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Jeffrey Tate | G Major | 3 | 9B | 140 BPM | ||
La Traviata - Act. I - Libiam Ne' Lieti Calici (Brindisi) | Luciano Pavarotti, Renata Scotto | B♭ Major | 3 | 6B | 97 BPM | ||
'O surdato 'nnamurato | Enrico Cannio, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Anton Guadagno | F Major | 3 | 7B | 80 BPM |