"3 Short Pieces: II. Grazioso" by Karl-Birger Blomdahl, Hans Pålsson was released on September 30, 1993. With 3 Short Pieces: II. Grazioso being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 34 in Blomdahl / Lidholm / Bortz: Piano Music by Hans Pålsson. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Based on our statistics, 3 Short Pieces: II. Grazioso's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 3 Short Pieces: II. Grazioso by Karl-Birger Blomdahl, Hans Pålsson is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina Burana / 3. Cour d'amours: "In trutina" | Carl Orff, Barbara Bonney, Wiener Philharmoniker, André Previn | B♭ Major | 2 | 6B | 137 BPM | ||
Stravinsky: The Rite of Spring, Pt. 2 "The Sacrifice": Sacrificial Dance | Igor Stravinsky, Riccardo Muti, Philadelphia Orchestra | G Minor | 5 | 6A | 132 BPM | ||
Parsifal, WWV 111 / Act III: Höchsten Heiles Wunder! ... Erlösung dem Erlöser! | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper Berlin | D Major | 0 | 10B | 136 BPM | ||
Symphony in E Minor, Op. 32, "Gaelic Symphony": II. Alla siciliana - Allegro vivace - Andante | Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn | F Major | 0 | 7B | 122 BPM | ||
Symphony No. 1: III. Allegro con brio | Karl-Birger Blomdahl, Swedish Radio Symphony Orchestra, Leif Segerstam | D Major | 1 | 10B | 83 BPM | ||
Requiem: I. Introit - Kyrie | Giuseppe Verdi, London Symphony Orchestra, Gianandrea Noseda, Michele Pertusi, Francesco Meli, Erika Grimaldi, London Symphony Chorus, Daniela Barcellona | A Minor | 1 | 8A | 56 BPM | ||
Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | G Major | 1 | 9B | 71 BPM | ||
Messa di Gloria, Op.posth.: Kyrie: Kyrie eleison, Christe eleison | Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano | C Major | 1 | 8B | 65 BPM | ||
Turandot / Act 1: "Popoli di Pekino!" | Giacomo Puccini, Sabin Markov, Montserrat Caballé, Luciano Pavarotti, Nicolai Ghiaurov, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | A♭ Major | 3 | 4B | 134 BPM | ||
Symphony No. 7 in E Major, WAB 107 (Ed. Haas): III. Scherzo. Sehr schnell - Trio. Etwas langsamer | Anton Bruckner, Wiener Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 74 BPM |
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