"Erlkonig" by Franz Schubert, Brigitte Fassbaender had its release date on 1961. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Franz Schubert, New York Philharmonic, The Philadelphia Orchestra's "Greatest Hits: Schubert" album is number 5 out of 11. On top of that, United States appears to be the country where this track was created. Erlkonig is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Erlkonig by Franz Schubert, Brigitte Fassbaender to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne and Tarantella, Op. 28: Nocturne | Karol Szymanowski, Krzysztof Bakowski, Anna Gorecka | D♭ Minor | 0 | 12A | 101 BPM | ||
Die sieben Todsünden: IV. Zorn (La Colère) | Kurt Weill, Cord Garben, Brigitte Fassbaender, Radio-Philharmonie Hannover des NDR | A Minor | 1 | 8A | 138 BPM | ||
Serenade, D. 889 (Arr. for Solo Piano) | Franz Schubert, Dmitri Bashkirov | C Minor | 1 | 5A | 131 BPM | ||
Serenade for Strings in E, Op. 22: 2. Tempo di valse | Antonín Dvořák, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Minor | 1 | 1A | 71 BPM | ||
Masquerade Suite: Nocturne | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | A Major | 1 | 11B | 105 BPM | ||
Cello Sonata No. 2, Op. 81: I. Allegro moderato | Nikolai Myaskovsky, Pavel Gomziakov, Andre Korobeinikov | A Minor | 1 | 8A | 107 BPM | ||
Moment Musical in F Minor, Op. 94, No. 3, D. 780 (arr. for chamber ensemble) | Anonymous , Franz Schubert, Budapest Strings, Bela Banfalvi | F Minor | 0 | 4A | 101 BPM | ||
Symphony No. 45 in F-Sharp Minor, Hob.I:45, "Farewell": I. Allegro assai | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | F♯ Minor | 2 | 11A | 156 BPM | ||
Die sieben Todsünden: I. Prolog | Kurt Weill, Cord Garben, Radio-Philharmonie Hannover des NDR, Brigitte Fassbaender | D Minor | 1 | 7A | 74 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 130 BPM |