"Latvian Bourdon Songs: V. Linu Druva (The flax field)" by Veljo Tormis, Estonian Philharmonic Chamber Choir, Paul Hillier was released on 2002. The duration of Latvian Bourdon Songs: V. Linu Druva (The flax field) is about 3 minutes long, at 3:10. Based on our data, "Latvian Bourdon Songs: V. Linu Druva (The flax field)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 14 out of 18 in Baltic Voices 1 by Estonian Philharmonic Chamber Choir, Paul Hillier. Latvian Bourdon Songs: V. Linu Druva (The flax field) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Latvian Bourdon Songs: V. Linu Druva (The flax field) by Veljo Tormis, Estonian Philharmonic Chamber Choir, Paul Hillier is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tallis: Sancte Deus - 1. Sancte Deus | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 104 BPM | ||
The Armed Man (Ensemble Version): III. Kyrie | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera, Kathryn Rudge | G Major | 2 | 9B | 127 BPM | ||
2 sacred choruses, Op. 115, MWV SD58: No. 2. Periti autem | Felix Mendelssohn, Andreas Frese, Camerata Musica Limburg, Jan Schumacher | D Major | 2 | 10B | 177 BPM | ||
Mass for Double Choir: Sanctus | Frank Martin, Mikaeli Chamber Choir, Anders Eby | D Major | 1 | 10B | 130 BPM | ||
Sügismaastikud: V. Tuul kõnnumaa kohal | Akademiska Damkören Lyran | A Major | 1 | 11B | 70 BPM | ||
Media Vita | Kerensa Briggs, Anna Lapwood, The Chapel Choir of Pembroke College, Cambridge | B Minor | 1 | 10A | 143 BPM | ||
Pie Jesu (Requiem) | La Capella Reial De Catalunya, Hespèrion XX, Jordi Savall | B♭ Major | 0 | 6B | 70 BPM | ||
Peer Gynt, Op. 23, Act V Scene 10: Pinsesalme: Velsignede morgen (Whitsun Hymn: Oh Blessed Morning) | Edvard Grieg, Svein Sturla Hungnes, Marita Sølberg, Kari Simonsen, Andrea Bræin Hovig, Bjorn Willberg Andersen, Ståle Bjørnhaug, Håkan Hagegård, Ingebjorg Kosmo, Kari Postma, Hilde Haraldsen Sveen, Ilkka Leppänen, Torbjorn Gulbrandsoy, Bergen Philharmonic Orchestra, Ole Kristian Ruud | E Minor | 0 | 9A | 68 BPM | ||
Der Mensch lebt und bestehet nur eine kleine Zeit | Max Reger, Vienna Chamber Choir, Michael Grohotolsky | C Major | 1 | 8B | 97 BPM | ||
Crux fidelis | João IV of Portugal, Oxford Camerata, Jeremy Summerly | F Major | 0 | 7B | 74 BPM |
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