"Crux fidelis" by João IV of Portugal, Oxford Camerata, Jeremy Summerly was released on May 27, 1994. The duration of Crux fidelis is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Crux fidelis's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Renaissance Masterpieces". In this album, this song's track order is #11. Crux fidelis is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Crux fidelis by João IV of Portugal, Oxford Camerata, Jeremy Summerly having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liturgy of St. John Chrysostom, Op. 41: I. Lord have Mercy | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | D Major | 3 | 10B | 79 BPM | ||
Missa Tempore Quadragesimae, MH 553: Sanctus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A Major | 1 | 11B | 128 BPM | ||
Mouton: Ave Maria, Virgo Serena - 1. Ave Maria, Gratia Plena | Jean Mouton, Peter Phillips, The Tallis Scholars | G Major | 1 | 9B | 82 BPM | ||
Burial Service: Canzona, Z. 860B | Henry Purcell, Oxford Camerata, Laurence Cummings, Jeremy Summerly | C Minor | 0 | 5A | 85 BPM | ||
Te Deum laudamus | Stirps Iesse, Enrico De Capitani | A Minor | 1 | 8A | 79 BPM | ||
Tempo Dell'Umiliazione E Della Morte. Inno: Gloria Laus | Canonici Regolari Si Sant'Antimo | A Major | 0 | 11B | 143 BPM | ||
Venit ad Petrum (Mode 8) | Jacob Obrecht, Oxford Camerata, Jeremy Summerly | F♯ Major | 1 | 2B | 180 BPM | ||
O hearken Thou, "Psalm 5" | William Henry Harris, Roger Judd, St. George's Chapel Choir, Windsor, Tim Byram-Wigfield | G Major | 0 | 9B | 81 BPM | ||
Salve Regina (4 Voices) | Jacob Obrecht, Oxford Camerata, Jeremy Summerly | A♭ Minor | 1 | 1A | 75 BPM | ||
Messe vidi turbam magnam: No. 6, Sanctus | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | F Major | 2 | 7B | 172 BPM |
Section: 0.5146911144256592
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