On April 26, 2019, the song "Tribute to J. J. Johnson for Five Trombones, Piano, Percussion and Double Bass: I. Old Devil Moon" was released by Robert Elkjer, Joseph Alessi, Jim Pugh, Ed Neumeister, Dave Taylor, Keith O’Quin, John McNeely, Drew Gress, Jim Sapporito, John Riley. The duration of Tribute to J. J. Johnson for Five Trombones, Piano, Percussion and Double Bass: I. Old Devil Moon is about 3 minutes long, at 3:00. Based on our data, "Tribute to J. J. Johnson for Five Trombones, Piano, Percussion and Double Bass: I. Old Devil Moon" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Warren Deck, Virginia Perry Lamb, Jonathan Feldman's "Joseph Alessi Plays Bernstein, Peaslee, Rush, Ewazen, Massenet, Ropartz, Bernstein and Elkjer" album is number 12 out of 14. In terms of popularity, Tribute to J. J. Johnson for Five Trombones, Piano, Percussion and Double Bass: I. Old Devil Moon is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Tribute to J. J. Johnson for Five Trombones, Piano, Percussion and Double Bass: I. Old Devil Moon by Robert Elkjer, Joseph Alessi, Jim Pugh, Ed Neumeister, Dave Taylor, Keith O’Quin, John McNeely, Drew Gress, Jim Sapporito, John Riley to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Pictures from New York (Version for Saxophone & Piano): No. 2, Tango Club | Roberto Molinelli, Otis Murphy, Haruko Murphy | A Minor | 2 | 8A | 145 BPM | ||
Tuba Suite: III. Allegro con brio | Don Haddad, David Zerkel, Paolo Andre Gualdi | E♭ Major | 0 | 5B | 135 BPM | ||
Willisabethan Sarahnade: My Yorker | Klaus Wallendorf, Sarah Willis, Kotowa Machida, Philip Mayers | F Major | 0 | 7B | 117 BPM | ||
Four Scottish Dances Op. 59 | US Army Band | D Major | 1 | 10B | 71 BPM | ||
Tribute to J. J. Johnson for Five Trombones, Piano, Percussion and Double Bass: I. Old Devil Moon | Robert Elkjer, Joseph Alessi, Jim Pugh, Ed Neumeister, Dave Taylor, Keith O’Quin, John McNeely, Drew Gress, Jim Sapporito, John Riley | F Major | 3 | 7B | 94 BPM | ||
Green Eyes | Robert Elkjer | D♭ Major | 0 | 3B | 101 BPM | ||
Canzonette a tre voci (Excerpts Arr. for Tuba Trio): No. 1, Qual si può dir maggiore, SV 1 | Claudio Monteverdi, Trio 21meter60, Constantin Hartwig, Steffen Schmid, Fabian Neckermann | E Minor | 0 | 9A | 67 BPM | ||
Scaramouche, Op. 165c: III. Brazileira | Darius Milhaud, Sohre Rahbari, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | F Major | 3 | 7B | 72 BPM | ||
Toot Suite: VI. Spirituelle | Claude Bolling | B♭ Major | 5 | 6B | 132 BPM | ||
Kleine Dreigroschenmusik: III. Anstatt-dass Song | Kurt Weill, Munich Radio Orchestra, Gerd Müller-Lorenz | B Major | 0 | 1B | 102 BPM |
Section: 0.6080737113952637
End: 0.6126880645751953