Darius Milhaud, Sohre Rahbari, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari made "Scaramouche, Op. 165c: III. Brazileira" available on July 1, 1991. The duration of Scaramouche, Op. 165c: III. Brazileira is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Scaramouche, Op. 165c: III. Brazileira's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Sohre Rahbari's "Milhaud: Scaramouche / Glazunov: Saxophone Concerto / Ibert: Concertino Da Camera" album is number 3 out of 9. Scaramouche, Op. 165c: III. Brazileira is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Scaramouche, Op. 165c: III. Brazileira by Darius Milhaud, Sohre Rahbari, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Danzas Argentinas, Op. 2: 2. Danza de la moza donosa | Alberto Ginastera, Lang Lang | A Minor | 0 | 8A | 134 BPM | ||
Momentum | Peter Hope, Royal Northern Sinfonia, David Lloyd-Jones | D Major | 2 | 10B | 137 BPM | ||
Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | E♭ Major | 1 | 5B | 103 BPM | ||
Suite from The Victorian Kitchen Garden: IV. Exotica | Paul Reade, Emma Johnson, Philip Ellis, BBC Concert Orchestra | F Minor | 0 | 4A | 124 BPM | ||
Piano Concerto in A Minor, Op. 16: II. Adagio - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | D♭ Major | 0 | 3B | 86 BPM | ||
Clarinet Sonata in F Minor, Op. 120, No. 1: I. Allegro appassionato | Johannes Brahms, Martin Fröst, Roland Pöntinen | D♭ Major | 0 | 3B | 113 BPM | ||
Symphony No. 9, Op. 380: II. Lente et sombre | Darius Milhaud, Basel Radio Symphony Orchestra, Alun Francis | E Minor | 2 | 9A | 94 BPM | ||
8 Slavonic Dances, Op. 72, B. 147: 2. Dumka. Allegretto grazioso | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | C Major | 2 | 8B | 97 BPM | ||
Wind Quintet in A-Flat, Op. 14: I. Allegro moderato | Gustav Holst, Elysian Wind Quintet | G Major | 1 | 9B | 125 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM |
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