Kurt Weill, Munich Radio Orchestra, Gerd Müller-Lorenz's 'Kleine Dreigroschenmusik: III. Anstatt-dass Song' came out on January 1, 2016. The duration of Kleine Dreigroschenmusik: III. Anstatt-dass Song is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Kleine Dreigroschenmusik: III. Anstatt-dass Song's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Weill: Violin Concerto, Op. 12, Kleine Dreigroschenmusik & Berlin im Licht by Kurt Weill, Henry Raudales, Munich Radio Orchestra, Gerd Müller-Lorenz. The song's track number on the album is #8 out of 14 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Kleine Dreigroschenmusik: III. Anstatt-dass Song is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Kleine Dreigroschenmusik: III. Anstatt-dass Song by Kurt Weill, Munich Radio Orchestra, Gerd Müller-Lorenz has a tempo of 102 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Kleine Dreigroschenmusik: III. Anstatt-dass Song being at 102 BPM, the half-time would be 51 BPM with a double-time of 204 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite from The Threepenny Opera, Act II: Ballad of Immoral Earnings (Arr. for Brass Quintet) | Kurt Weill, Center City Brass Quintet | F Major | 2 | 7B | 145 BPM | ||
An die musik, Op. 88 No. 4, D. 547 (Arr. for Voice & Orchestra by Max Reger) | Franz Schubert, Benjamin Appl, Munich Radio Orchestra, Oscar Jockel | C Major | 1 | 8B | 78 BPM | ||
An Sylvia, Op. 106 No. 4, D. 891 (Arr. for Voice & Orchestra by Alexander Schmalcz) | Franz Schubert, Benjamin Appl, Munich Radio Orchestra, Oscar Jockel | F Minor | 2 | 4A | 81 BPM | ||
Scaramouche, Op. 165c: III. Brazileira | Darius Milhaud, Claude Delangle, Singapore Symphony Orchestra, Lan Shui | F Major | 2 | 7B | 104 BPM | ||
Scaramouche, Op. 165c: III. Brazileira | Darius Milhaud, Sohre Rahbari, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | F Major | 3 | 7B | 72 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 2. Allegro moderato - Presto - Allegro moderato - Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | F Minor | 2 | 4A | 117 BPM | ||
Bartók / Arr. Székely: 3 Hungarian Folksongs from Csík, Sz. 35a: No. 1, The Peacock. Rubato | Béla Bartók, Kalman Berkes, Dezsö Ranki | D Minor | 1 | 7A | 95 BPM | ||
Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | E♭ Major | 1 | 5B | 103 BPM | ||
Poulenc: Concerto for Two Pianos in D Minor, FP 61: II. Larghetto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | B♭ Major | 0 | 6B | 84 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM |
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