Darius Milhaud, Claude Delangle, Singapore Symphony Orchestra, Lan Shui made "Scaramouche, Op. 165c: III. Brazileira" available on April 1, 2007. The duration of Scaramouche, Op. 165c: III. Brazileira is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Scaramouche, Op. 165c: III. Brazileira's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Claude Delangle, Lan Shui's "Ibert / Tomasi / Ravel / Maurice / Schmitt / Milhaud: Works for Saxophone and Orchestra" album is number 14 out of 14. On top of that, Sweden appears to be the country where this track was created. In terms of popularity, Scaramouche, Op. 165c: III. Brazileira is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Scaramouche, Op. 165c: III. Brazileira by Darius Milhaud, Claude Delangle, Singapore Symphony Orchestra, Lan Shui to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder ohne Worte, Op. 102: No. 3 Presto (Arr. Ottensamer for Clarinet and Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | C Major | 4 | 8B | 78 BPM | ||
The Firebird Suite (1919 Version): Lullaby - Remastered | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 58 BPM | ||
Suite d'après Corrette, Op. 161b: VI. Rondeau | Darius Milhaud, Athena Ensemble | E Major | 0 | 12B | 167 BPM | ||
Sonate, Op. 168: III. Adagio Allegro moderato | Camille Saint-Saëns, Michel Bettez, Pierre-Richard Aubin | G Minor | 0 | 6A | 68 BPM | ||
Schumann: 3 Romances for Oboe and Piano, Op. 94: No. 2, Einfach, innig | Robert Schumann, Albrecht Mayer, Markus Becker | A Major | 0 | 11B | 92 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Des Knaben Wunderhorn: Rheinlegendchen | Gustav Mahler, Daishin Kashimoto, Emmanuel Pahud, Paul Meyer, Zvi Plesser, Eric Le Sage | D♭ Major | 3 | 3B | 95 BPM | ||
Divertissement en trois parties, Op. 299b: II. Dramatique | Darius Milhaud, Athena Ensemble | E Major | 0 | 12B | 167 BPM | ||
Symphony No. 9 in E Minor Op. 95 "from the New World": I. Adagio - Allegro molto | Antonín Dvořák, Ferenc Fricsay, Berliner Philharmoniker | A Minor | 2 | 8A | 116 BPM | ||
Dutilleux: Sonatine for Flute and Piano: II. Andante espressivo - | Henri Dutilleux, Emmanuel Pahud, Eric Le Sage | B♭ Minor | 1 | 3A | 88 BPM |
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