Jean-Baptiste Lully, Collegium Vocale Gent, Noemi Rime, La Chapelle Royale, Guillemette Laurens, Philippe Herreweghe's 'Armide: Act I, Scene 1: Armide : "Un songe affreux m'inspire une fureur nouvelle"' came out on 1993. The duration of Armide: Act I, Scene 1: Armide : "Un songe affreux m'inspire une fureur nouvelle" is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Armide: Act I, Scene 1: Armide : "Un songe affreux m'inspire une fureur nouvelle"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jean-Baptiste Lully, Philippe Herreweghe, La Chapelle Royale, Collegium Vocale Gent's "Lully: Armide" album is number 10 out of 39. Armide: Act I, Scene 1: Armide : "Un songe affreux m'inspire une fureur nouvelle" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Armide: Act I, Scene 1: Armide : "Un songe affreux m'inspire une fureur nouvelle" by Jean-Baptiste Lully, Collegium Vocale Gent, Noemi Rime, La Chapelle Royale, Guillemette Laurens, Philippe Herreweghe to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Dido and Aeneas, Z.626 / Act 3: "Thy Hand Belinda - When I Am Laid In Earth" | Henry Purcell, Catherine Bott, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 0 | 11A | 83 BPM | ||
Thésée, LWV 51, Prologue: "Partez, allez, volez, redoutable Ballone" (Mars, Vénus) | Jean-Baptiste Lully, Thaïs Raï-Westphal, Guilhem Worms, Les Talens Lyriques, Christophe Rousset | F Major | 1 | 7B | 105 BPM | ||
Canzonette d'amore | Claudio Monteverdi, Concerto Delle Dame Di Ferrara, Sergio Vartolo | B Minor | 0 | 10A | 100 BPM | ||
Acis & Galatée / Act 2: Chaque moment me tue | Jean-Baptiste Lully, Laurent Naouri, Véronique Gens, Les Musiciens du Louvre, Marc Minkowski | C Minor | 1 | 5A | 128 BPM | ||
Alceste, LWV 50: La Fête Infernale - 1er Air (1674) | Jean-Baptiste Lully, Jordi Savall, Le Concert Des Nations | F Minor | 4 | 4A | 139 BPM | ||
Abdelazar Suite, Z. 570: VI. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | G Minor | 2 | 6A | 131 BPM | ||
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 1 | 6A | 80 BPM | ||
Concerto For 4 Harpsichords In A Minor, BWV 1065: III. Allegro | Cologne Chamber Orchestra, Christoph Anselm Noll, Roderick Shaw, Gerald Hambitzer, Robert Hill, Johann Sebastian Bach | A Minor | 4 | 8A | 114 BPM |
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