Jean-Baptiste Lully, Laurent Naouri, Véronique Gens, Les Musiciens du Louvre, Marc Minkowski's 'Acis & Galatée / Act 2: Chaque moment me tue' came out on January 1, 1998. With Acis & Galatée / Act 2: Chaque moment me tue being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jean-Baptiste Lully, Les Musiciens du Louvre, Marc Minkowski's "Lully: Acis et Galatée" album is number 9 out of 43. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Acis & Galatée / Act 2: Chaque moment me tue's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Acis & Galatée / Act 2: Chaque moment me tue by Jean-Baptiste Lully, Laurent Naouri, Véronique Gens, Les Musiciens du Louvre, Marc Minkowski to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in C Major, Op. 2, "The Chaplet": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 121 BPM | ||
Symphony for Flute, Oboe, Horn and Strings in D Major: II. Andantino | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | B♭ Major | 0 | 6B | 0 BPM | ||
Ciaccona (Antonio Falconiero ca. 1585-1656) | Claudio Monteverdi, Jordi Savall, Montserrat Figueras, Hespèrion XX | G Major | 1 | 9B | 101 BPM | ||
La Grotte de Versailles, églogue en musique: XI. Choeur II | Jean-Baptiste Lully, La Simphonie Du Marais, Hugo Reyne, Jean-Louis Georgel, Françoise Masset, Philippe Roche, Julie Hassler, Renaud Tripathi, Raphaële Kennedy | F♯ Major | 2 | 2B | 159 BPM | ||
Armide, LWV 71, Act III Scene 4: Sors, sors, du sein d'Armide (La Haine, Armide) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Timothée Varon, Stéphanie D'Oustrac | F Major | 1 | 7B | 139 BPM | ||
Sinfonia in D Major, BWV 1045: I. Allegro | Johann Sebastian Bach, Robert Hill, Cologne Chamber Orchestra, Helmut Müller-Brühl | D Major | 3 | 10B | 98 BPM | ||
Goldberg Variations (‘Air with Thirty Variations’), BWV 988: Goldberg Variations (‘Air with Thirty Variations’), BWV 988: II. Allegro con freschezza, e deciso | Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni | D Major | 2 | 10B | 105 BPM | ||
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM |
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