"Oberon, J.306 / Act 1: "Warum musst du schlafen"" by Carl Maria von Weber, Birgit Nilsson, Bavarian Radio Symphony Orchestra, Rafael Kubelík was released on January 1, 2006. With Oberon, J.306 / Act 1: "Warum musst du schlafen" being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Weber: Oberon by Carl Maria von Weber, Bavarian Radio Symphony Orchestra, Rafael Kubelik. The song's track number on the album is #7 out of 42 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Oberon, J.306 / Act 1: "Warum musst du schlafen" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Oberon, J.306 / Act 1: "Warum musst du schlafen" by Carl Maria von Weber, Birgit Nilsson, Bavarian Radio Symphony Orchestra, Rafael Kubelík has a tempo of 104 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Oberon, J.306 / Act 1: "Warum musst du schlafen" being at 104 BPM, the half-time would be 52 BPM with a double-time of 208 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 68 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 176 BPM | ||
Holberg Suite, Op. 40: IV. Air (Andante religioso) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | B♭ Major | 0 | 6B | 86 BPM | ||
6 Violin Sonatas, Op. 10b No. 6 in C Major, J. 104: II. Largo | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | C Minor | 0 | 5A | 83 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
24 Preludes, Op. 11: No. 5 in D Major | Alexander Scriabin, Evgeny Zarafiants | F Major | 1 | 7B | 110 BPM | ||
Nocturne No.13 In C Minor, Op.48 No.1 | Frédéric Chopin, Maurizio Pollini | C Minor | 1 | 5A | 169 BPM | ||
Piano Sonata No. 4 in E Minor, Op. 70, J. 287: III. Andante quasi allegretto, consolante | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 139 BPM |
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