"Die Schöpfung HobXXI/2, PART 2: In holder Anmut stehn: Terzett (Gabriel, Uriel, Raphael)" by Barbara Bonney, Hans Peter Blochwitz, Jan-Hendrik Rootering, Sir Neville Marriner, Südfunk-Chor, Radio-Sinfonieorchester Stuttgart was released on 1990. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Sir Neville Marriner's "Haydn: Die Schoepfung" album is number 19 out of 35. Based on our statistics, Die Schöpfung HobXXI/2, PART 2: In holder Anmut stehn: Terzett (Gabriel, Uriel, Raphael)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Schöpfung HobXXI/2, PART 2: In holder Anmut stehn: Terzett (Gabriel, Uriel, Raphael) by Barbara Bonney, Hans Peter Blochwitz, Jan-Hendrik Rootering, Sir Neville Marriner, Südfunk-Chor, Radio-Sinfonieorchester Stuttgart to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
Twelve Poems of Emily Dickinson: 11. Going to Heaven! | Aaron Copland, Barbara Bonney, André Previn | A Minor | 1 | 8A | 79 BPM | ||
Vier letzte Lieder - Piano version: Im Abendrot | Richard Strauss, Barbara Bonney, Malcolm Martineau | E♭ Major | 0 | 5B | 67 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice), Wq. 30 - Vienna Version (1762) / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Andreas Scholl, Orchestra of the Age of Enlightenment, Sir Roger Norrington | F♯ Major | 0 | 2B | 103 BPM | ||
Rossini: Il barbiere di Siviglia: Overture | Gioachino Rossini, Riccardo Muti, Philharmonia Orchestra | G Major | 1 | 9B | 88 BPM | ||
L'incoronazione di Poppea, SV 308 / Act III: "Pur ti miro" | Claudio Monteverdi, Sylvia McNair, Dana Hanchard, English Baroque Soloists, John Eliot Gardiner | G Major | 0 | 9B | 125 BPM | ||
Schubert : "Kennst du das Land" D321 | Franz Schubert, Barbara Bonney | F Major | 1 | 7B | 91 BPM | ||
Geduld, Op.10, No.5 | Richard Strauss, Barbara Bonney, Malcolm Martineau | A♭ Major | 0 | 4B | 89 BPM | ||
Vaga luna che inargenti | Vincenzo Bellini, Cecilia Bartoli, James Levine | A♭ Major | 0 | 4B | 101 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM |
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