- BPM
- 88
- Key
- A Minor
- Camelot
- 8A
Turandot / Act 3: Introduzione - Così comanda Turandot - Giacomo Puccini, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta Information
- Acousticness
- 94%
- Danceability
- 14%
- Energy
- 5%
- Instrumentalness
- 23%
- Liveness
- 27%
- Loudness
- 46%
- Speechiness
- 4%
- Valence
- 7%
- Popularity
- 23%
- Loudness
- -32.136 dB
Summary
"Turandot / Act 3: Introduzione - Così comanda Turandot" by Giacomo Puccini, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta was released on September 1, 1973. The duration of Turandot / Act 3: Introduzione - Così comanda Turandot is about 3 minutes long, at 3:25. Based on our data, "Turandot / Act 3: Introduzione - Così comanda Turandot" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 28 in the song's album "Puccini: Turandot". In this album, this song's track order is #5. Turandot / Act 3: Introduzione - Così comanda Turandot is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Turandot / Act 3: Introduzione - Così comanda Turandot BPM
With Turandot / Act 3: Introduzione - Così comanda Turandot by Giacomo Puccini, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
Turandot / Act 3: Introduzione - Così comanda Turandot Key
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | L'elisir d'amore / Act 2: Introduzione - "Cantiamo, cantiam" - "Poichè cantarvi alletta" | Gaetano Donizetti, Dominic Cossa, Spiro Malas, Maria Casula, Dame Joan Sutherland, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | C Major | 3 | 8B | 94 BPM | |
 | Il Barbiere di Siviglia (1996 Digital Remaster): A un dottor della mia sorte (Bartolo) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | E♭ Major | 3 | 5B | 138 BPM | |
 | Carmen (1997 - Remaster), Act IV: A deux cuartos! | Georges Bizet, Jacques Mars/Choeurs René Duclos/Choeurs d'Enfants Jean Pesneaud/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | G Major | 4 | 9B | 174 BPM | |
 | Rossini : La Cenerentola : Act 2 "Della Fortuna instabile" [Chorus] | Gioachino Rossini, Carlo Rizzi, Orchestra of the Royal Opera House, Covent Garden | A Major | 2 | 11B | 128 BPM | |
 | Mozart: Le nozze di Figaro, K. 492, Act 1: Aria. "Non più andrai, farfallone amoroso" (Figaro) | Wolfgang Amadeus Mozart, Bernard Haitink, Claudio Desderi, London Philharmonic Orchestra | E Major | 3 | 12B | 125 BPM | |
 | O mio babbino caro | Giovacchino Forzano, Giacomo Puccini, Maria Hanke, Tonya Lemoh | A♭ Major | 1 | 4B | 70 BPM | |
| Bizet: Carmen, Act 1: "Quels regardes! Quelle effronterie!" (Carmen, José) | Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | E♭ Major | 2 | 5B | 0 BPM | |
| Carmen (1997 - Remaster), Act II: Enfin c'est toi!...Tout doux, Monsieur | Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | F Major | 1 | 7B | 83 BPM | |
| Il Barbiere di Siviglia (1996 Digital Remaster): Ma signor...ma un dottor ... (Tutti) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | C Major | 5 | 8B | 118 BPM | |
 | Adriana Lecouvreur / Act 1: Io son l'umile ancella | Francesco Cilea, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | A♭ Major | 1 | 4B | 89 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8504695892333984
End: 0.8545739650726318