George Frideric Handel, Bernarda Fink, Academy of Ancient Music, Christopher Hogwood made "Rinaldo / Act 1: Aria: No, no, che quest'alma" available on October 16, 2000. The duration of Rinaldo / Act 1: Aria: No, no, che quest'alma is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Rinaldo / Act 1: Aria: No, no, che quest'alma's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Cecilia Bartoli, David Daniels, Academy of Ancient Music, Christopher Hogwood's "Handel: Rinaldo (Original 1711 Version)" album is number 12 out of 82. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Rinaldo / Act 1: Aria: No, no, che quest'alma's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Rinaldo / Act 1: Aria: No, no, che quest'alma by George Frideric Handel, Bernarda Fink, Academy of Ancient Music, Christopher Hogwood to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ave Regina coelorum (Sentimenti devoti espressi con la musica di due e tre voci, opera sesta, Libro secondo, 1660, G. Sala, Venezia) | Marie-Nicole Lemieux, Philippe Jaroussky, Ensemble Artaserse | D Minor | 2 | 7A | 119 BPM | ||
Dixit Dominus (Salmo 109), RV 594: III. Virgam virtutis tuae | Antonio Vivaldi, Concerto Italiano, Rinaldo Alessandrini, Gemma Bertagnolli, Roberta Invernizzi | D Major | 2 | 10B | 112 BPM | ||
Schiassi: Maria Vergine al Calvario: "L'agnelletta timidetta" | Gaetano Maria Schiassi, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | A♭ Minor | 1 | 1A | 89 BPM | ||
Bassani: In caligine umbrosa: IV. Ardendo suspiro... Jam gratae memoriae | Philippe Jaroussky | C Minor | 1 | 5A | 116 BPM | ||
The Masque Of Hymen: The Last Act - Solo (Cupid): The Joys Of Wedlock | The Scholars Baroque Ensemble, Henry Purcell | F♯ Minor | 0 | 11A | 169 BPM | ||
Heinichen: Alma Redemptoris Mater, S. 22: I. "Alma Redemptoris Mater" | Johann David Heinichen, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E Major | 1 | 12B | 130 BPM | ||
Pergolesi: Laudate pueri: III. Excelsus super omnes | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Major | 3 | 2B | 135 BPM | ||
Alcina, HWV 34 / Act 3: Sta nell'Ircana pietrosa tana | George Frideric Handel, Maite Beaumont, Il Complesso Barocco, Alan Curtis | F♯ Major | 2 | 2B | 121 BPM | ||
Vivaldi: Dixit Dominus in D Major, RV 594: IX. Gloria Patri | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury | D♭ Major | 3 | 3B | 112 BPM | ||
L'incoronazione di Poppea, SV 308 / Prologue: Sinfonia - Prologue - "Deh, nasconditi, o Virtù" ... | Claudio Monteverdi, Anne Sofie von Otter, Catherine Bott, Marinella Pennicchi, English Baroque Soloists, John Eliot Gardiner | G Major | 1 | 9B | 170 BPM |
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