George Frideric Handel, Maite Beaumont, Il Complesso Barocco, Alan Curtis made "Alcina, HWV 34 / Act 3: Sta nell'Ircana pietrosa tana" available on January 1, 2009. Alcina, HWV 34 / Act 3: Sta nell'Ircana pietrosa tana is about six minutes long, preciously at 5:56, making this song fairly long compared to other songs. The track order of this song in George Frideric Handel, Joyce DiDonato, Maite Beaumont, Karina Gauvin, Sonia Prina, Kobie Van Rensburg, Laura Cherici, Vito Priante, Il Complesso Barocco, Alan Curtis's "Handel: Alcina" album is number 9 out of 73. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Alcina, HWV 34 / Act 3: Sta nell'Ircana pietrosa tana's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Alcina, HWV 34 / Act 3: Sta nell'Ircana pietrosa tana by George Frideric Handel, Maite Beaumont, Il Complesso Barocco, Alan Curtis to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Overture in D Minor, TWV 55:2: Menuet II. Doucement | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | F Major | 0 | 7B | 126 BPM | ||
Mass No. 7 in B-Flat Major, Hob. XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): Kyrie | Joseph Haydn, Ann Hoyt, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen Burdick | B♭ Major | 2 | 6B | 99 BPM | ||
Rinaldo, HWV 7, Act II: Lascia ch'io pianga | George Frideric Handel, Aaron Hill, Giacomo Rossi, Yannick Nézet-Séguin, David DQ Lee | B♭ Major | 1 | 6B | 94 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Music for the Royal Fireworks (arr. piano) | Music Lab Collective, George Frideric Handel | D Major | 0 | 10B | 122 BPM | ||
Grande Messe des Morts: II. Introitus: Requiem aeternam - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 1 | 5A | 74 BPM | ||
Concerto 5 in A Minor, Op. 7: I. Vivace | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Minor | 2 | 12A | 124 BPM | ||
Cello Concerto No. 1 In C Major, G. 477: II. Largo | Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini | F Major | 0 | 7B | 70 BPM |
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