"Der Ander Theyl Des Lautenbuchs, 1536: Adieus Mes Amours, After Josquin Desprez" by Hans Neusidler, Joachim Held was released on May 28, 2021. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 38 in the song's album "Nach Willen Dein". In this album, this song's track order is #23. Furthermore, we believe that the track originated from Germany. The popularity of Der Ander Theyl Des Lautenbuchs, 1536: Adieus Mes Amours, After Josquin Desprez is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Der Ander Theyl Des Lautenbuchs, 1536: Adieus Mes Amours, After Josquin Desprez by Hans Neusidler, Joachim Held having a BPM of 203 with a half-time of 102 BPM and a double-time of 406 BPM, we would consider this track to have a Prestissimo (even faster than presto) tempo marking. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trattado de glosas: Recercadas primera y quarta sobre tenores: I. | Diego Ortiz, Les Basses Réunies, Bruno Cocset | B Major | 1 | 1B | 97 BPM | ||
D'ung aultre amer / Lhome arme | Philippe Basiron, Capilla Flamenca | E Minor | 0 | 9A | 60 BPM | ||
Suite No. 1 in C Major: II. Spagnoletta | Michael Praetorius, The New York Renaissance Band, Sally Logemann | C Major | 0 | 8B | 112 BPM | ||
Passamezzo sesto | Vincenzo Galilei, Massimo Lonardi | G Minor | 0 | 6A | 130 BPM | ||
Haulberroys (Attaignant) | Edward Martin | G Minor | 1 | 6A | 82 BPM | ||
Preambel No. 4, IHN 34 | Hans Neusidler, Stephan Hrushka | F Minor | 0 | 4A | 168 BPM | ||
Pieces de clavecin, Book 2: 7th Ordre: La Menetou (Rondeau) (arr. Y. Imamura) | François Couperin, Yasunori Imamura | D Minor | 1 | 7A | 97 BPM | ||
Suite in G Major: V. Gavotte - Rondeau | Robert de Visée, Yasunori Imamura | D Major | 2 | 10B | 97 BPM | ||
The Dancing Master: Come live with me and be my love | John Playford, The Broadside Band, Jeremy Barlow | C Major | 0 | 8B | 75 BPM | ||
Ein Newgeordent Künstlich Lautenbuch, 1536: Ach Lieb Mit Leid, After Paul Hofheimer | Hans Neusidler, Joachim Held | C Major | 0 | 8B | 81 BPM |
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