Suite for Cello and Orchestra (after C. Debussy): IV. Nocturne (after C. Debussy's Nuit d'etoiles) - Sally Beamish, Steven Isserlis, Tapiola Sinfonietta, Gábor Takács-Nagy Information

Acousticness: 98%
Danceability: 10%
Energy: 4%
Instrumentalness: 89%
Liveness: 9%
Loudness: 51%
Speechiness: 5%
Valence: 4%
Popularity: 4%
Loudness: -29.394 dB

Summary

"Suite for Cello and Orchestra (after C. Debussy): IV. Nocturne (after C. Debussy's Nuit d'etoiles)" by Sally Beamish, Steven Isserlis, Tapiola Sinfonietta, Gábor Takács-Nagy was released on August 24, 2010. The duration of Suite for Cello and Orchestra (after C. Debussy): IV. Nocturne (after C. Debussy's Nuit d'etoiles) is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Suite for Cello and Orchestra (after C. Debussy): IV. Nocturne (after C. Debussy's Nuit d'etoiles)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "reVisions". In this album, this song's track order is #4. The popularity of Suite for Cello and Orchestra (after C. Debussy): IV. Nocturne (after C. Debussy's Nuit d'etoiles) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Suite for Cello and Orchestra (after C. Debussy): IV. Nocturne (after C. Debussy's Nuit d'etoiles) BPM

With Suite for Cello and Orchestra (after C. Debussy): IV. Nocturne (after C. Debussy's Nuit d'etoiles) by Sally Beamish, Steven Isserlis, Tapiola Sinfonietta, Gábor Takács-Nagy having a BPM of 171 with a half-time of 86 BPM and a double-time of 342 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.

Suite for Cello and Orchestra (after C. Debussy): IV. Nocturne (after C. Debussy's Nuit d'etoiles) Key

This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Vexilla regis, WAB 51	Anton Bruckner, Latvian Radio Choir, Sigvards Kļava	F Major	0	7B	130 BPM
Magnificat: VI. Esurientes	John Rutter, Patricia Forbes, City of London Sinfonia, The Cambridge Singers	G Major	1	9B	71 BPM
The Wise Maid	Sally Beamish, Robert Irvine	C Minor	0	5A	135 BPM
6 Chansons: No. 6. Verger	Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed	C Minor	3	5A	133 BPM
Ethereal Resonance	LeoRoads	F Major	1	7B	80 BPM
Requiem, Op.48: 4. Pie Jesu (I)	Gabriel Fauré, Catherine Bott, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner	B♭ Major	0	6B	72 BPM
3 Psalms, Op. 78: II. Psalm 43 "Richte mich, Gott"	Felix Mendelssohn, RIAS Kammerchor, Marcus Creed	A Minor	1	8A	91 BPM
Elias, Op. 70, MWV A25: Elijah, Op. 70, Part II: Hebe deine Augen auf zu den Bergen	Felix Mendelssohn, Estonian Philharmonic Chamber Choir, Daniel Reuss	D Major	1	10B	83 BPM
2 Ancient Liturgical Melodies (arr. L. Stokowski): Veni Creator Spiritus - Veni Emmanuel (arr. L. Stokowski)	Anonymous, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier	A Minor	0	8A	55 BPM
Psalm 130: Ich Harre auf den Herren	Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör	B♭ Major	1	6B	92 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.8093678951263428

End: 0.8128292560577393