"Le dernier jour d'un condamné / Acte I: Je viens de faire mon testament" by David Alagna, Roberto Alagna, Orchestre national d'île-de-France, Michel Plasson was released on January 1, 2008. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in David Alagna, Roberto Alagna, Indra Thomas, Richard Rittelmann, Jean-Philippe Lafont, Chœur régional Vittoria d'Ile de France, Orchestre national d'île-de-France, Michel Plasson's "Le Dernier Jour D'Un Condamné" album is number 9 out of 41. On top of that, France appears to be the country where this track was created. Le dernier jour d'un condamné / Acte I: Je viens de faire mon testament is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le dernier jour d'un condamné / Acte I: Je viens de faire mon testament by David Alagna, Roberto Alagna, Orchestre national d'île-de-France, Michel Plasson to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gluck: Iphigénie en Tauride, Wq. 46, Act 2: "Unis dès la plus tendre enfance" (Pylade) | Christoph Willibald Gluck, Georges Prêtre, Nicolai Gedda, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 2 | 9B | 67 BPM | ||
Addio fiorito asil | Carlo Bergonzi | D♭ Major | 2 | 3B | 74 BPM | ||
Soledad | Rosario Armas, Ahmed Alom | A♭ Minor | 2 | 1A | 74 BPM | ||
Péchés de vieillesse / Vol. III: Tirana pour deux voix (Les amants de Séville) | Gioachino Rossini, Rolando Villazón, Cecilia Bartoli, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | D Minor | 2 | 7A | 94 BPM | ||
Gluck: Iphigénie en Tauride, Wq. 46, Act 2: "Dieux qui me poursuivez" (Oreste) | Christoph Willibald Gluck, Georges Prêtre, Ernest Blanc, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 2 | 9B | 67 BPM | ||
Eternally | Geofrey Parsons, Charlie Chaplin, Alfredo Kraus, Victor Pablo Pérez, Orquesta Sinfonica De Tenerife | E♭ Major | 2 | 5B | 173 BPM | ||
Offenbach: Les contes d'Hoffmann, Act III: "Schlemil ! J'en étais sûr !" (Giulietta, Schlémil, Hoffmann, Chœur, Pitichinaccio, Dapertutto, Nicklausse) | Jacques Offenbach, André Cluytens, Bourvil, Charles Cambon, Charles Soix, Chœurs du Théâtre National de l'Opéra-Comique, Fanély Revoil, Raoul Jobin, Vina Bovy, Orchestre du Théâtre national de l'Opéra-Comique | C Major | 3 | 8B | 82 BPM | ||
Ave Verum | Enrico Fortunato | F♯ Minor | 5 | 11A | 128 BPM | ||
2 Mélodies, Op. 46: No. 2, Clair de lune | Gabriel Fauré, Véronique Gens, Munich Radio Orchestra, Herve Niquet | B♭ Major | 1 | 6B | 74 BPM | ||
Vissi D'arte - Tosca Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM |
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