Jacques Offenbach, André Cluytens, Bourvil, Charles Cambon, Charles Soix, Chœurs du Théâtre National de l'Opéra-Comique, Fanély Revoil, Raoul Jobin, Vina Bovy, Orchestre du Théâtre national de l'Opéra-Comique made "Offenbach: Les contes d'Hoffmann, Act III: "Schlemil ! J'en étais sûr !" (Giulietta, Schlémil, Hoffmann, Chœur, Pitichinaccio, Dapertutto, Nicklausse)" available on January 1, 1948. With Offenbach: Les contes d'Hoffmann, Act III: "Schlemil ! J'en étais sûr !" (Giulietta, Schlémil, Hoffmann, Chœur, Pitichinaccio, Dapertutto, Nicklausse) being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 49 in the song's album "Offenbach: Les contes d'Hoffmann". In this album, this song's track order is #31. Furthermore, we believe that the track originated from France. Offenbach: Les contes d'Hoffmann, Act III: "Schlemil ! J'en étais sûr !" (Giulietta, Schlémil, Hoffmann, Chœur, Pitichinaccio, Dapertutto, Nicklausse) is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Offenbach: Les contes d'Hoffmann, Act III: "Schlemil ! J'en étais sûr !" (Giulietta, Schlémil, Hoffmann, Chœur, Pitichinaccio, Dapertutto, Nicklausse) by Jacques Offenbach, André Cluytens, Bourvil, Charles Cambon, Charles Soix, Chœurs du Théâtre National de l'Opéra-Comique, Fanély Revoil, Raoul Jobin, Vina Bovy, Orchestre du Théâtre national de l'Opéra-Comique having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Habanera | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 0 | 11B | 128 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | G Minor | 1 | 6A | 83 BPM | ||
Pique Dame: Overture | Franz von Suppé, Gustavo Dudamel, Wiener Philharmoniker | D Major | 2 | 10B | 82 BPM | ||
Scheherazade: The voice of Scheherazade | Nikolai Rimsky-Korsakov, Joakim Svenheden | G Major | 1 | 9B | 132 BPM | ||
The Four Seasons - Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": I. Allegro | Antonio Vivaldi, Joshua Bell, Academy of St. Martin in the Fields | F Major | 1 | 7B | 109 BPM | ||
Jacques Offenbach: Les contes d'Hoffmann - Bacarolle | Jacques Offenbach, Orchestre national des Pays de la Loire, Hubert Soudant, David Grimal | D Major | 0 | 10B | 132 BPM | ||
Dance of the Hours | Amilcare Ponchielli, Leonard Bernstein, New York Philharmonic | E Major | 1 | 12B | 92 BPM | ||
Light Cavalry | Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon | A Major | 3 | 11B | 130 BPM | ||
Les Contes d'Hoffmann: Barcarolle | Jacques Offenbach, Valery Gergiev, Wiener Philharmoniker | D Major | 0 | 10B | 79 BPM | ||
Slavonic Dances, Op. 72, B. 147: No. 2, Dumka | Antonín Dvořák, George Szell, Cleveland Orchestra | C Major | 2 | 8B | 101 BPM |
Section: 0.7506604194641113
End: 0.7576079368591309