Tomaso Albinoni, L'Arte dell' Arco, Federico Guglielmo's '12 Trio Sonatas, Op. 1, Sonata X in F Minor, Talm I, 10: III. Grave' came out on March 1, 2016. The duration of 12 Trio Sonatas, Op. 1, Sonata X in F Minor, Talm I, 10: III. Grave is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. 12 Trio Sonatas, Op. 1, Sonata X in F Minor, Talm I, 10: III. Grave's duration is considered a little bit shorter than the average duration of a typical track. The song is number 39 out of 48 in Albinoni: Trio Sonatas, Op. 1 by Tomaso Albinoni, L'Arte dell' Arco, Federico Guglielmo. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, 12 Trio Sonatas, Op. 1, Sonata X in F Minor, Talm I, 10: III. Grave is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 12 Trio Sonatas, Op. 1, Sonata X in F Minor, Talm I, 10: III. Grave by Tomaso Albinoni, L'Arte dell' Arco, Federico Guglielmo is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Mendelssohn: 6 Lieder ohne Worte, Book 6, Op. 67: II. Allegro leggiero | Felix Mendelssohn, Leif Ove Andsnes | F♯ Minor | 1 | 11A | 182 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | ||
Concerto Grosso In F Minor, Op. 1, No. 8: III. Andante | Pietro Locatelli, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Minor | 1 | 8A | 99 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 80 BPM | ||
Sinfonia in A Major: I. Presto | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Major | 3 | 11B | 117 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Symphony No. 3 in F major, Op. 90: III. Poco allegretto | Seattle Symphony Orchestra | C Minor | 0 | 5A | 92 BPM | ||
Boccherini / Arr Stoll : Sonata No.3 in G major : III Minuetto | Luigi Boccherini, Jörg Baumann | G Major | 0 | 9B | 107 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM |
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