Emmerich Kálmán, Reinhold Bartel, Herta Talmar, Grosses Operetten Orchester, Franz Marszalek, Chor's 'Die Zirkusprinzessin - Operetta In 3 Acts: Leise schwebt das Glück vorüber' came out on January 1, 1993. The duration of Die Zirkusprinzessin - Operetta In 3 Acts: Leise schwebt das Glück vorüber is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Die Zirkusprinzessin - Operetta In 3 Acts: Leise schwebt das Glück vorüber's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Emmerich Kálmán, Reinhold Bartel, Rita Bartos, Benno Kusche, Herta Talmar, Willi Hofmann, Renate Holm, Peter Alexander, Chor, Grosses Operetten Orchester, Franz Marszalek's "Gräfin Mariza - Die Csárdásfürstin - Die Zirkusprinzessin" album is number 31 out of 32. In terms of popularity, Die Zirkusprinzessin - Operetta In 3 Acts: Leise schwebt das Glück vorüber is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Zirkusprinzessin - Operetta In 3 Acts: Leise schwebt das Glück vorüber by Emmerich Kálmán, Reinhold Bartel, Herta Talmar, Grosses Operetten Orchester, Franz Marszalek, Chor to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bohème / Act I: "Quando Me'n Vò" | Giacomo Puccini, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda | F♯ Minor | 2 | 11A | 135 BPM | ||
Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Vorspiel | Peter Kiesewetter, Heinz Rühmann, Symphonieorchester des Bayerischen Rundfunks | A Major | 1 | 11B | 38 BPM | ||
La jolie fille de Gand: Scene 4 | Adolphe Adam, Queensland Symphony Orchestra, Andrew Mogrelia | B♭ Major | 1 | 6B | 134 BPM | ||
Ich Warte Auf Das Grosse Wunder... Machen Wir's Den Schwalben Nach | Emmerich Kàlmàn, Bela Jenbach, Leo Stein, Anneliese Rothenberger, Rudolf Shock | F Major | 3 | 7B | 76 BPM | ||
Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Dialog | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonieorchester Graunke | A Minor | 4 | 8A | 60 BPM | ||
Aïda Marche triomphale | Arthur Fiedler, Boston Pops Orchestra | D Major | 3 | 10B | 100 BPM | ||
Margherita, Op. 244: Polka Francaise | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice | A Major | 1 | 11B | 139 BPM | ||
Im weißen Rössl · Operette in 3 Akten (1988 - Remaster), Erster Akt: Im Salzkammergut, da ka' mer gut lustig sein & Dialog (Josepha - Giesecke - Chor) | Ralph Benatzky, Grit van Jüten/Peter Minich/Benno Hoffmann/Norbert Orth/Peter Kraus/Elke Schary/Hans Putz/Werner Singh/Chor des Bayerischen Rundfunks/Münchner Kinderchor/Münchner Rundfunkorchester/Willy Mattes/Anneliese Rothenberger, Willy Mattes, Munich Radio Orchestra | F Major | 3 | 7B | 81 BPM | ||
Sperl-galopp, Op. 42 | Slovak Sinfonietta, Zilina, Johann Strauss I | E Major | 3 | 12B | 137 BPM | ||
Triglav, Op. 72 | Julius Fučík, Tschechische Philharmonie, Václav Neumann | G Major | 5 | 9B | 122 BPM |
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