- BPM
- 60
- Key
- A Minor
- Camelot
- 8A
Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Dialog - Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonieorchester Graunke Information
- Acousticness
- 79%
- Danceability
- 62%
- Energy
- 38%
- Instrumentalness
- 0%
- Liveness
- 47%
- Loudness
- 63%
- Speechiness
- 89%
- Valence
- 40%
- Popularity
- 4%
- Loudness
- -22.261 dB
Summary
Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonieorchester Graunke made "Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Dialog" available on 1971. The duration of Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Dialog is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Dialog's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 38 in Die Csárdásfürstin by Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes. Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Dialog is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Dialog BPM
The tempo marking of Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Dialog by Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonieorchester Graunke is Lento (slowly), since this song has a tempo of 60 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Dialog Key
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Im weißen Rössl · Operette in 3 Akten (1988 - Remaster), Zweiter Akt: Einlage 3: Als Sigi in der Wiege lag - Was kann der Sigismund dafür, daß er so schön ist (Sigismund - Klärchen) - Musik: Robert Gilbert | Ralph Benatzky, Grit van Jüten/Peter Minich/Benno Hoffmann/Norbert Orth/Peter Kraus/Elke Schary/Hans Putz/Werner Singh/Chor des Bayerischen Rundfunks/Münchner Kinderchor/Münchner Rundfunkorchester/Willy Mattes/Anneliese Rothenberger, Willy Mattes, Muenchner Rundfunkorchester, Munich Radio Orchestra | G Minor | 5 | 6A | 134 BPM | |
 | Les contes d'Hoffmann (The Tales of Hoffmann) (arr. M. Rosenthal for orchestra): Ouverture - Barbe-Bleu | Jacques Offenbach, Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | E Major | 3 | 12B | 134 BPM | |
 | Die Dollarprinzessin: Einleitung - O Fortuna, pump mir Geld | Leo Fall, Willy Hofmann, Chor, Grosses Operetten Orchester, Franz Marszalek | D♭ Minor | 3 | 12A | 123 BPM | |
 | Orphée aux enfers, ACT 1, Deuxième tableau: l'Olympe: Eh hop! Eh hop! (Jupiter/Mercure/Junon) | Jacques Offenbach, Laurent Naouri/Etienne Lescroart/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | D Minor | 2 | 7A | 72 BPM | |
 | Im weissen Rossl (White Horse Inn): Act III: Finale: Lasst uns Schampus trinken - Im Weissen Rossl | Ralph Benatzky, Mathias Hausmann, Ingeborg Schöpf, Marco Jentzsch, Klaus-Dieter Lerche, Anja Katharina Wigger, Serge Falck, Ina Nadine Wagler, Albert Rueprecht, Rafael Schuchter, Gerhard Rak, Markus Puchberger, Harald Serafin, Mörbisch Festival Choir, Morbisch Festival Orchestra, Rudolf Bibl | C Major | 6 | 8B | 129 BPM | |
 | Jugendfeuer - Galopp | Laur. Rosenthal, Johann Strauss I, London National Philharmonic Orchestra, The Vienna Festival Orchestra, Laurence Rosenthal, Alfred Eschwe | A Major | 0 | 11B | 71 BPM | |
 | Manon, Act II: En fermant les yeux - Remastered 2024 | Jules Massenet, Raphael Arié, London Symphony Orchestra, Josef Krips | D Major | 1 | 10B | 80 BPM | |
 | Die Csardasfurstin (The Gypsy Princess): Act I: Lied: O, jag' dem Gluck nicht nach (Sylva, Edwin, Boni, Feri) | Emmerich Kálmán, Yvonne Kenny, Michael Roider, Mojca Erdmann, Marko Kathol, Karl-Michael Ebner, Hellmuth Klumpp, Heinz Holecek, Yvonne Kalman, Marian Vach, Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Richard Bonynge | F Major | 3 | 7B | 116 BPM | |
 | Aus den schlesischen Bergen, Op. 260 | Eduard Strauss, Czech Philharmonic Chamber Orchestra, Marek Štilec | B♭ Major | 1 | 6B | 87 BPM | |
 | Chantilly, Waltz, Op. 171 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | B♭ Major | 2 | 6B | 99 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8165271282196045
End: 0.8209552764892578