Ludwig Minkus, John Lanchbery, Elizabethan Trust Melbourne Orchestra's 'Minkus / Arr. Lanchbery: Don Quixote: No. 10, Gypsy Dance I. Czardas' came out on November 9, 2009. The duration of Minkus / Arr. Lanchbery: Don Quixote: No. 10, Gypsy Dance I. Czardas is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Minkus / Arr. Lanchbery: Don Quixote: No. 10, Gypsy Dance I. Czardas's duration is considered a little bit shorter than the average duration of a typical track. The song is number 18 out of 51 in Delibes: Coppélia by Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris. Minkus / Arr. Lanchbery: Don Quixote: No. 10, Gypsy Dance I. Czardas is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Minkus / Arr. Lanchbery: Don Quixote: No. 10, Gypsy Dance I. Czardas by Ludwig Minkus, John Lanchbery, Elizabethan Trust Melbourne Orchestra is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sorochintsi Fair, Act I: Gopak (Hopak) | Modest Mussorgsky, Slovak Philharmonic, Kenneth Jean | G Major | 2 | 9B | 127 BPM | ||
Raymonda, Op. 57: Act II - Variation I | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D♭ Major | 0 | 3B | 83 BPM | ||
Piano Sonata No. 21 in C Major, Op. 53, "Waldstein": I. Allegro con brio | Ludwig van Beethoven, Igor Levit | C Major | 1 | 8B | 85 BPM | ||
Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | E Minor | 1 | 9A | 76 BPM | ||
St. John's Night on Bald Mountain: St. John's Night on Bald Mountain, "a Night on the Bare Mountain" (arr. N. Rimsky-Korsakov) [from "Fantasia"] | Modest Mussorgsky, Finnish Radio Symphony Orchestra, Leif Segerstam | C Major | 0 | 8B | 98 BPM | ||
Waltz Suite, Op. 110: III. Mephisto Waltz (from Lermontov) | Sergei Prokofiev, Orquestra Sinfônica Do Estado De São Paulo, Marin Alsop | D Minor | 1 | 7A | 97 BPM | ||
Don Quixote: Act I: Espada | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | B♭ Major | 1 | 6B | 183 BPM | ||
Serenade in B-Flat Major, K. 361 "Gran Partita": III. Adagio | Wolfgang Amadeus Mozart, Orpheus Chamber Orchestra | E♭ Major | 0 | 5B | 68 BPM | ||
La Bayadere, Act I, Scene 2: 14. "Ankle Scarf Dance and Coda" | Evergreen Symphony Orchestra, Kevin Galiè | A Major | 1 | 11B | 101 BPM | ||
Five Pieces For Two Violins and Piano: IV. Waltz | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | G Minor | 1 | 6A | 179 BPM |
Section: 0.6836521625518799
End: 0.6914346218109131