"Adoramus te (Chansonnier du XVe siècle)" by Jordi Savall, Anonymous was released on January 26, 2018. The duration of Adoramus te (Chansonnier du XVe siècle) is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Adoramus te (Chansonnier du XVe siècle)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Venezia Millenaria by Jordi Savall. The song's track number on the album is #12 out of 37 tracks. Based on our statistics, Adoramus te (Chansonnier du XVe siècle)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Adoramus te (Chansonnier du XVe siècle) by Jordi Savall, Anonymous has a tempo of 138 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Adoramus te (Chansonnier du XVe siècle) being at 138 BPM, the half-time would be 69 BPM with a double-time of 276 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 5/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Arvo Pärt : O Adonaï | Unknown, Mikrokosmos | D♭ Major | 0 | 3B | 168 BPM | ||
Piva | Joan Ambrosio Dalza, Shirley Rumsey | G Major | 1 | 9B | 122 BPM | ||
Missa Nunca Fue Pena Major: V. Agnus Dei | Francisco de Peñalosa, Concentus Musicus Minnesota, Arthur Maud | A♭ Minor | 2 | 1A | 74 BPM | ||
Lachrimae Pavin | Hopkinson Smith, John Dowland | G Minor | 1 | 6A | 115 BPM | ||
I. 1459 El Tiempo de Maximiliano I (Rey de Roma 1486 y Emperador Germánico 1493) y de María de Borgoña (Duquesa De Borgoña 1477-1482): Dit Le Bourguygnon (Instrumental) | Ottaviano Petrucci, Jordi Savall, Hespèrion XXI | E Minor | 3 | 9A | 100 BPM | ||
La pastorella mia | Jacques Arcadelt, Shirley Rumsey | A Minor | 0 | 8A | 96 BPM | ||
Ballo del Granduca | Anonymous, Luigi Accardo | A Minor | 2 | 8A | 129 BPM | ||
Tout par compas, Fol. 12 (Rondeau/Canon) | Baude Cordier, Tetraktys | E Minor | 9 | 9A | 135 BPM | ||
Alcione, Acte IV Scène 1: Ritournelle violons - "Amour, cruel Amour, sois touché de mes peines" | Marin Marais, Jordi Savall, Lea Desandre, Le Concert Des Nations | A Minor | 1 | 8A | 116 BPM | ||
Miserere mei Deus (psaume L) – à 8, alternatim | Andrés Barea, Paul Van Nevel, Huelgas Ensemble | A♭ Major | 2 | 4B | 83 BPM |
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