"Tout par compas, Fol. 12 (Rondeau/Canon)" by Baude Cordier, Tetraktys was released on June 21, 2016. The duration of Tout par compas, Fol. 12 (Rondeau/Canon) is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Tout par compas, Fol. 12 (Rondeau/Canon)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 10 in Codex Chantilly III - Bibliothèque du Château de Chantilly, Ms. 564 by Tetraktys. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, Tout par compas, Fol. 12 (Rondeau/Canon)'s popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Tout par compas, Fol. 12 (Rondeau/Canon) by Baude Cordier, Tetraktys is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Mit Fried und Freud ich fahr dahin, BuxWV 76 | Dietrich Buxtehude, Anima Eterna, Collegium Vocale, Jos Van Immerseel | D Minor | 1 | 7A | 56 BPM | ||
Lassus: Alma Redemptoris Mater | Orlande de Lassus, Peter Phillips, The Tallis Scholars | B♭ Major | 1 | 6B | 69 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: V. Glory Be to Thee | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM | ||
Laudate Nomen | Christopher Tye, Voices of Ascension Chorus, Dennis Keene | G Major | 1 | 9B | 64 BPM | ||
Quant en moy / Amour et biaute / Amara valde | DP (Machaut, Guillaume, Arr.:VladimirIvanoff, Sarband | C Major | 1 | 8B | 66 BPM | ||
Sine nomine (Marcus?) [Rondeau - Fn 26, 16v] | Matteo da Perugia, Tetraktys | A♭ Major | 0 | 4B | 73 BPM | ||
In Nomine, "Fantasia": Fantasia | William Mundy, The Rose Consort Of Viols | B Major | 0 | 1B | 115 BPM | ||
Missa si Deus pro nobis, a 16 voci: II. Christe eleison | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | A Minor | 1 | 8A | 78 BPM | ||
Anima dolorosa | Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini | C Major | 0 | 8B | 133 BPM | ||
Terpsichore*: a. Volte b. Volte c. Volte | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Major | 2 | 9B | 105 BPM |
Section: 0.8539218902587891
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