George Gershwin, William Warfield, Jerry Laws, Helen Thigpen, Joseph James, Howard Roberts, Leslie Scott, Georgia Burke, RIAS-Unterhaltungsorchester, Alexander Smallens made "Porgy and Bess - Act One, Scene I: Here's the ol' crap Shark! - Live" available on November 19, 2008. With Porgy and Bess - Act One, Scene I: Here's the ol' crap Shark! - Live being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Gershwin, William Warfield, Leontyne Price, Cab Calloway, RIAS-Unterhaltungsorchester, Alexander Smallens's "Gershwin: Porgy and Bess (Live)" album is number 7 out of 58. On top of that, Germany appears to be the country where this track was created. Porgy and Bess - Act One, Scene I: Here's the ol' crap Shark! - Live is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Porgy and Bess - Act One, Scene I: Here's the ol' crap Shark! - Live by George Gershwin, William Warfield, Jerry Laws, Helen Thigpen, Joseph James, Howard Roberts, Leslie Scott, Georgia Burke, RIAS-Unterhaltungsorchester, Alexander Smallens to be Lento (slowly) because the track has a tempo of 60 BPM, a half-time of 30BPM, and a double-time of 120 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rosalie: How Long Has This Been Going On? | Peter Breiner, Juray Bartos, George Gershwin | C Major | 1 | 8B | 63 BPM | ||
The Firebird Suite *: Firebird: Lullaby | Igor Stravinsky, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | A♭ Minor | 0 | 1A | 66 BPM | ||
Mélancolie | Francis Poulenc, Alexandre Tharaud | D Major | 1 | 10B | 70 BPM | ||
Stoptime Rag | Scott Joplin, Benjamin Loeb | C Major | 2 | 8B | 118 BPM | ||
Porgy and Bess / Act 1: "Summertime" | George Gershwin, Barbara Hendricks, James Vincent Pickens, Francois Clemmons, Arthur Thompson, Florence Quivar, Samuel Hagan, Christopher Deane, The Cleveland Orchestra Chorus, Cleveland Orchestra, Lorin Maazel | B Minor | 2 | 10A | 83 BPM | ||
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Fritz Reiner | F Major | 0 | 7B | 63 BPM | ||
Dvořák: From the Bohemian Forest, Op. 68, B. 182: No. 5, Silent Woods | Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra | D♭ Major | 1 | 3B | 95 BPM | ||
Estrellita (Arr. Heifetz) | Manuel Ponce, Ray Chen, Julien Quentin | F♯ Major | 1 | 2B | 83 BPM | ||
Symphony No. 1, "Afro-American": I. Longing (Moderato assai) | William Grant Still, Fort Smith Symphony, John Jeter | A♭ Major | 0 | 4B | 81 BPM | ||
Hjertets melodier (Melodies of the Heart), Op. 5: No. 3. Jeg elsker dig (I Love but Thee) (arr. H. Kraggerud): I Love Only You, Op. 5, No. 3 | Henning Kraggerud, Edvard Grieg, Razumovsky Symphony Orchestra, Bjarte Engeset | A Minor | 0 | 8A | 86 BPM |
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