"Lazarus Requiem: Tableau Six" by Patrick Hawes, Thomas Walker, Royal Scottish National Orchestra was released on April 2, 2012. With this song being about 5 minutes long, at 4:34, "Lazarus Requiem: Tableau Six" by Patrick Hawes, Thomas Walker, Royal Scottish National Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Patrick Hawes, Elin Manahan Thomas, Thomas Walker, Rachael Lloyd, Royal Scottish National Orchestra's "Lazarus Requiem" album is number 13 out of 14. On top of that, United Kingdom appears to be the country where this track was created. Lazarus Requiem: Tableau Six is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lazarus Requiem: Tableau Six by Patrick Hawes, Thomas Walker, Royal Scottish National Orchestra to be Larghetto (rather broadly) because the track has a tempo of 64 BPM, a half-time of 32BPM, and a double-time of 128 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Peer Gynt, Op. 23 / Act III: Solveig's Song (Arr. for Cello and Piano by Georg Goltermann) | Edvard Grieg, Mischa Maisky, Lily Maisky | B♭ Major | 1 | 6B | 135 BPM | ||
3 Spirituals for Orchestra: No. 2. Kum Bab Yah | Adolphus Hailstork, Virginia Symphony Orchestra, Joann Falletta | D Minor | 0 | 7A | 140 BPM | ||
Serse, HWV 40, Act I: Ombra mai fu (Arr. for Cello and Piano) | George Frideric Handel, Raphaela Gromes, Julian Riem | F Major | 2 | 7B | 172 BPM | ||
Promenade à l'automne | Marcel Tournier, Carisma | D Minor | 1 | 7A | 179 BPM | ||
4 Songs, Op. 13: No. 3. Sure on this shining night | Samuel Barber, Birmingham Conservatoire Chamber Choir, Ben Kennedy, Paul Spicer | B♭ Major | 0 | 6B | 101 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Ancient Prairie | Ēriks Ešenvalds, State Choir Latvija, Māris Sirmais | D Major | 1 | 10B | 79 BPM | ||
And I Heard a Voice (Ja ma kuulsin hääle) | Arvo Pärt, World Choir for Peace | B♭ Major | 1 | 6B | 81 BPM | ||
String Quartet No. 2, Op. 147: VII. Hymn | Alan Hovhaness, Shanghai Quartet | C Major | 0 | 8B | 95 BPM |
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